Category Archives: Media

It’s Always Sunny In Philadelphia: No Happy Endings

With situations that are simply outrageous and characters that are despicably endearing, “Sunny” is quite possibly the funniest show on television.

The show features “the gang,” consisting of Dennis, Dee, Mac, Charlie, and Frank who operate Paddy’s Pub, an Irish bar in downtown Philadelphia—once rated “the worst bar in Philly.”  Paddy’s seems to not have much of a clientele, and whenever it starts to see any level of success, “the gang” finds a way to ruin it within 28 minutes.

“The gang” is a vile concoction of alcoholic and virtually sociopathic personalities, unethical, ignorant, and narcissistic.  The main cast includes these five well developed characters:

Dennis Reynolds (Glenn Howerton) started off the series as the player, completely in love with himself. His highest aspiration in life is to have as much sex with as many women as possible, and he was originally pretty good at it. He devised a system for getting laid called the D.E.N.N.I.S. System, each letter representing a step in the seduction process which he tries to pass on to the other men in the gang.  As the seasons progress though, Dennis becomes more unhinged, deranged and obsessed with his image that women become less susceptible to his charms and more creeped out instead. We find that the popularity he supposedly enjoyed in his youth existed mostly in his imagination.  By season 10 it becomes evident that Dennis is really starting to crack up.

Dee Reynolds (Kaitlin Olson), the fraternal twin sister of Dennis is the awkward girl who still hasn’t grown into herself.  She still has unfulfilled dreams of being an actress and comedian, a theme which makes for several mishaps along the course of the series. She’s rude to her customers, and can’t seem to get involved with a man who doesn’t have a myriad of problems without screwing it up. As the series progresses, Dee is shown to be quite verbally abusive to her lovers, and she becomes even more delusional about her star qualities. The gang treats her like garbage, unconcerned with her thoughts or problems and she is proclaimed at one point by Mack to be “the useless chick” of the gang.

          

“Mac,” Ronald McDonald (Rob McElhenney)— Early in the series Mac is essentially a wannabe meathead and fitness poseur obsessed with building body-mass and admiring men’s physiques. He pretends to be a skilled athlete and martial artist, but proves time and again to have fewer skills than anyone else.  From the beginning he displays a religious pose that becomes more important to him as the series progresses, although it is clear he has a fairly superficial understanding of the doctrines of his faith. In the first season there is enough evidence to question if Mac is fully comfortable with his sexuality and as time goes by it becomes more and more obvious that he is struggling with some homosexual tendencies which with his religious convictions reveals a rather conflicted personality. His father is a convicted drug dealer

Charlie Kelly (Charlie Day) is the moron amongst the idiots.  Other than being a partner in Paddy’s Pub, he has nothing going for him, so the gang made him the pub’s janitor.  An almost illiterate slob, Charlie is often opining over and sometimes stalking the coffee shop waitress introduced in the first episode. As it turns out, Charlie is a naturally skilled musician responsible for writing some of the series’ most popular songs like “Dayman.” While Charlie is apparently the  least put together member of the gang, as his character develops we find out that he is in many ways the foundation that holds the entire enterprise together, though he never receives any recognition from any of his friends.

Frank Reynolds (Danny DeVito) is Dennis’ and Dee’s stepfather and possibly the biological father of Charlie.  A former high-power corporate CEO turned lousy con-man, he first appears in season 2 and scams his way into partial ownership of the Pub.  Frank is financially independent from past business dealings, and embezzles money from Paddy’s Pub. Perhaps the most depraved character on Sunny, Frank is determined to see just how weird he can get with the last remaining year of his life.  He moves into Charlie’s apartment and the two develop a strange bromance. Being independently wealthy from his business years, Frank is the financer for the gangs many schemes which allows for some rather pricey adventures.

The gang is remarkable in that the members always manage to make the wrong decision, ethically and economically in every situation.  In one episode Dee and Mac try to raise a baby they found in a dumpster.  Another time Dennis and Dee purposely become addicted to crack in order to qualify for welfare.  They destroy an immigrant family’s house by trying to perform an “extreme home makeover” after becoming inspired by the book “the Secret.”

In “The Gang Exploits a Miracle” Frank leads the gang into trying to profit from a restroom water stain that resembles the Virgin Mary.  This episode introduces one of the most dynamic side characters, Rickety Cricket (David Hornsby). Cricket is an old acquaintance from high school who enters the pub as an ordained Catholic Priest, to investigate the “miracle.”  In short order his life is ruined by his unrequited love of Dee, driving him into a life of homelessness.

The gang has also attracted the attention of a local lawyer, whom after experiencing first-hand their deceitful and shameless behavior has taken to occasionally making sport out of litigating against them.

In It’s Always Sunny in Philadelphia, the standard sitcom structure doesn’t apply. The classic format calls for 20something minutes of mishaps, and satire that will all be wrapped up in the end with the lives of the main cast back to normal and okay.  At the end of each episode, the gang usually receives the karmic retribution they have earned, or at least they lose everything for which they were aiming.  No matter how bad the outcome, it’s difficult to feel sorry for any of them.

There are no happy endings in “Sunny,” just hilarious unfortunate consequences.


Shadowyze Bio

Shadowyze (pronounced shadow-wise) is a Native American hip hop artist who comes from a background of Muskogee Creek and Scots-Irish heritage.  He holds a Bachelor’s Degree in Anthropology from the University of West Florida and his lyrics are woven within a fabric of insight and social awareness.



Shadowyze was born in San Antonio, Texas as Alvin Shawn Enfinger and relocated with his family to Pensacola, Fla. at the age of eight.  In 1989, Shadowyze launched his hip-hop career when his group, Posse In Effect, released the official theme song “Knock ‘em out the Ring Roy” recorded for then Olympic boxing Silver Medalist Roy Jones Jr. which received strong support on regional radio as well as NBC Sportsworld.

The big turning point in his career came after Shadowyze spent ten weeks in Central and South America and Mexico in 1998 where he witnessed the cruelty of the “low intensity war,” military oppression and poverty imposed upon the Mayan Indian population in Chiapas, Mexico which inspired his 1999 multi-single Murder in Our Backyard which was endorsed by Nobel Peace Prize winner Betty Williams of Ireland.

Shadowyze has appeared on over 20 compilations and released three full length albums; Spirit Warrior (2001), World of Illusions (2003), and his current 2005 release; the self-titled Shadowyze featuring platinum recording Latino artist Baby Bash, and the production wizardry of Nashville’s DJ Dev of Devastating Music; production engineer of the triple platinum selling album 400 degrees by Juvenile and Happy Perez (producer of Baby Bash’s platinum hit Suga Suga, as well as Frankie J., Mystikal).  In 2006 Shadowyze, DJ Dev and Lojah teamed up to produce the multi-single “Powda & Flow” on Backbone Records.


Shadowyze has supported the Mayan Indian Relief Fund and in 2005 attracted national attention by helping to organize and coordinate a Hurricane Katrina relief effort delivering several thousands of dollars worth of supplies to the Choctaw Indian Reservation in Philadelphia, Mississippi.

In 2005 Shadowyze won both the Native American Music Awards and the Pensacola, Florida Music Awards for best hip-hop and has been the focus of several stories appearing in Rolling Stone, Vibe, XXL, Billboard, New York Times and the Chicago Tribune. Shadowyze was featured on the covers of Downlow Magazine, Native Network and Get’em Magazine.

Through Backbone, Records; Shadowyze released Guerillas in the Mixx, a compilation in cooperation with Big Lo featuring Public Enemy, The Coup, Michael Franti, Spearhead, Afrika and Litefoot.

Shadowyze has spoken on Native American issues and performed his music on many Indian reservations, the Montrose Jazz Fest in Switzerland and the National Autry Center in Los Angeles.  His most recent release in 2009 on Backbone Records is titled after the Mayan prophecy “2012.”

Lojah featuring Sadowyze: Flow





The Ten Grandmothers; Epic of the Kiowas by Alice Marriot – Book Review

The Ten Grandmothers covers the history of the transition of Kiowa culture during roughly a 100 year period between 1847 and 1944 in an epic linear narrative.  As a work of history and anthropology, this book reads as compellingly as good fiction, with the profound depth of meaning as mythology.

The chapter Going Away was the most compelling to me.  This chapter takes place in 1883 with Grass Stem, the son of Hunting Horse and Spear Woman.  Once Grass Stem emerged from the school house in his blue trousers and white shirt, with his hair cut, his earrings removed and with the new name Stanley Hunt, it was clear that Kiowa life had changed permanently.  Nothing else up to this point in the book had quite the same impact regarding the changes to Kiowa life, not the coming of the first white traders, not the near extinction of the buffalo, not even the ending of the Sundance.  At the point Grass Stem is renamed, we get a glimpse not only of what has been lost in Kiowa culture, but the future of it.

            

The Ten Grandmothers is written in a literary style that reminds me of one of my favorite books, Seven Arrows by Hyemeyohsts Storm.  It similarly follows the interactions of the Cheyenne, Crow and Sioux in a mythologized fashion over a period of several generations from before the arrival of the white man.  It progresses into the modern era using the old stories and the symbolism of the Sundance in order to convey the teachings of the Medicine Wheel.

Being written from a multi-generational perspective within the same families is what makes The Ten Grandmothers so effective in capturing the sense of change and adaptation from the freedom of life on the prairie to the 20th century.

The story ends with a strong sense of melancholy nostalgia as Spear Woman recounts all the events of the past to her granddaughter while they make their way to the buffalo park.  The buffalo have returned, only this time they are raised behind the fence, like the Kiowa.  And their appearance at the end of the book serves as a beacon that there is an as of yet unwritten future for both the buffalo and the Kiowa.

Bar Rescue? More Like Bar Boot Camp.

(Originally published in 2012 on GodDrinksBeer.com)

Bar Rescue, at the time of this writing is two seasons deep, and moving toward a third. Airing on Spike TV, this “reality” show is currently one of my favorites.  If you have any interest in the bar and nightclub business this series is definitely worth watching.

Bar Rescue stars Jon Taffer, an industry big-shot who specializes in turning failing bars into lucrative establishments. At the beginning of each episode he sends one of his assistants into the featured bar to assess just how bad off it really is.  After getting a feel for the place they leave and return to meet with Taffer, and deliver their report.  At this point Taffer enters the bar with both barrels blazing, and quite often all hell breaks loose.

It’s a reality show so I’m certain the drama is scripted to one degree or another, but in most episodes it’s pretty clear that there is genuine dysfunction at hand.  Usually the bars are in pretty rough shape, but some are especially terrible. In the majority of cases the problem lies in a lazy or poorly educated management, and slack employees. This results not just in poor products and service, but sometimes in the most disgusting working conditions.  This show has exposed filth that really makes a person wonder what is going on behind the scenes of a lot of struggling bars and pubs you might have a drink or dine in.

A lot of the episodes deal with poor or ridiculous branding.  From just plain stupid names like “Swanky Bubbles,” or the poorly located “Piratz Tavern,” or just bad ideas all around like the “Blue Frog 22” which was decorated with children’s games, Taffer often has to rebuild the bar’s brand from the ground up.  This often includes retraining the staff and management, renaming and remodeling each bar. To back him up, Taffer brings in the support he needs, particularly mixologists, and chefs.

             

Critics of the show knock Taffer for his loud, in-your-face style. He often confronts owners, employees and even the occasional unruly costumer with the tact and sophistication of a drill sergeant. Taffer has a limited amount of time for each project and sometimes, like boot camp it is important to make a heavy impact, and break the cadet down just before building them back up.  It doesn’t do much good to passively explain what changes need to be made if the root problems in an enterprise have not been addressed and conquered.  Of course a lot of this done for ratings and drama attracts viewers.

In most cases the bar is renamed and completely rebranded, and by the end of each episode it is clear that the new or revitalized original theme has made a significant and lucrative leap forward. Most of the rescued bar-owners keep to Taffer’s advice and continue to see increased profits.  A few reject his changes and then later “decline to comment” on their current profitability.

Bar Rescue is a good show, especially for a “reality” series.  From understanding a bit about marketing toward the local demographics, utilizing the environment as a guide to branding, and the importance of consistency, anyone considering the bar or restaurant business can pick up a lot of good tidbits of wisdom from Jon Taffer by watching.


The Walking Dead – More than Just Zombies

Honestly, I don’t care much for zombies or zombie movies. I’ve always found them to be a little juvenile. Most Zombie films always seem like a trite rip-off of Night of the Living Dead. Well, AMC’s series The Walking Dead, although not particularly original in its title is anything but a generic zombie story.  Actually, I think it’s pretty damned good.

In the interest of full disclosure, I only began watching the show halfway through the second season and I never read the comic book series off of which it is based.  I was aware of the show, but as I said I don’t care much for zombies, and I figured it was just a long drawn-out rehashing of that god-awful movie 28 Days Later.  One night however, I was bored and decided to give it viewing.  I was hooked from the very first episode I watched. After that, I made it a mission to backtrack and catch up with all the episodes I had missed.

While I don’t like zombies (can I say that enough?), I have always been a fan of post-apocalyptic themes.  There is just something that fascinates me about a devastated world, sparsely populated with rag-tag bands of survivalists fighting to reestablish some sense of civilization, fighting against roving gangs of marauders, monsters or aliens … whatever, in an increasingly neo-tribal, neo-medieval environment – and THAT is what The Walking Dead does right – so much that the zombies don’t even bother me.

            

The characters in The Walking Dead are very well developed, and the social dynamics of the main band of survivors are intense and believable. There is everything from sexual dynamics, racial tension, and marital problems. It is filled with action, adventure, drama, a bit of romance (but not too much mushy stuff), tragedy and just the right amount of gore without going overboard.  There is not a flat or one-dimensional character in the series, at least not one that sticks around for very long. And that could serve as a warning to new viewers – be careful which characters you get attached to. They might not last very long.

The story basically follows Rick Grimes (Andrew Lincoln), a sheriff’s deputy in Georgia, whom after being shot in the line of duty wakes up in a hospital to a world populated by the cannibalistic living dead. He hooks up with a band of survivors, reuniting with his wife and son, and eventually finds himself thrust into a precarious leadership position. He begins the series as a down-home, mild-mannered, all-American family man. Then after many months of fighting zombies, marauders, back-stabbers, and watching his friends and loved-ones killed and “turned,” he begins to descend into a rather dark place. Even he is disturbed by his transformation.

The Walking Dead is a great series. In the end however, it is not about the zombies.  It’s really about people, humanity, love and cooperation.  It’s about being pushed to the breaking point and keeping it together. After society has completely broken down what’s important is more than just mere survival. It’s about finding a sense of meaning in a world of chaos. It’s about creating normalcy in an environment that is anything but normal. Each episode leaves you eagerly awaiting the next. And me personally, it leaves me pondering: “How would I have handled that?”


First Fieldwork; the misadventures of an anthropologist

First Fieldwork; the misadventures of an anthropologist by Barbara Gallatin Anderson

First Fieldwork is a first-person account of the author, Barbara Anderson’s experiences and misfortunes as an anthropologist in the field during her graduate thesis.  Although fictionalized, it is a clear testament to the perils of being an anthropologist thrust unprepared into the field.

During her fieldwork studying the effects of urbanization upon a small Danish Island village, Anderson is faced with challenge after challenge to fitting into the regular patterns and expectations of the people.  From the beginning she nearly catches her family’s cottage on fire.  As a means of better adjusting to the community she takes a cooking class, only to quit the course due to a series of embarrassing episodes beginning with a disastrous meatloaf resulting form her mistaking the Danish word for flour for the word for sugar.

        

I was especially amused by the chapter about the Danish bathhouse in Copenhagen.  A situation like this, without much knowledge of the culture or the language is a perfect example of just how alien one can be even within another Western country.  And just as the bath attendant announced to the other patrons in the pool as Anderson entered; “Here comes an American lady” could just as easily have been the second title for this book, perhaps with “Look out!” preceding it.

Overall First Fieldwork was an entertaining read with insights into fieldwork and the potential problems to be encountered as profound as they are humorous.  The lesson for me was that although fieldwork can include a series of embarrassing and uncomfortable events, it is often those very things that can be of the most value in learning to effectively navigate and describe a culture.


Lojah in Celtic-Folk-Punk

I was covered in Celtic-Folk-Punk at blogspot recently.

Lojah is a Native American-Irish folksinger from Pensacola, Florida. He describes his eclectic sound as Creolized Roots Music, influenced by Caribbean rhythms, Celtic melodies, and Southern American blues. His music is immersed in social realism, and arcane insight woven together with tongue-in-cheek witticism and a festive vibe. He is currently performing acoustic sets along the Gulf Coast.

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Pub Songs on Palafox” is a four song, lo-fi, EP recorded in the raw as a live-air production that captures the energy and sound of a Lojah solo performance as executed while busking downtown in competition with the various sounds of a bustling city street.

 Lojah begins with a rowdy Irish pub tune, “Dicey Reilly“, about a lush of a woman who spends her life crawling from pub to pub; a sailor’s favorite. “The Black Velvet Band” is another classic Irish ballad about infatuation, deceit and injustice which takes us out of the pub and away from the Emerald Isle to a penal colony in Australia. Following up is “Looks Like Jesus“, a rockabilly-blues styled piece and a Lojah original that tells the story illustrating the conflict between despair and ambition, shroud with esoteric imagery, set in the Southern atmosphere he calls home. “Miss Constance” concludes the record, a naughty Caribbean-styled tune about the perils of younger women.
Released 21 June 2013

Jay Moody (Lojah) – guitar, vocals
Recorded at Jinks Music Universe, Pensacola, FL


JJ Smith, the Balladeer

I naturally met JJ Smith at McGuire’s Irish Pub in Pensacola a couple years back.  Kilted in the tartan of the Lamont clan, JJ runs a show that is not just a folk music performance but a bit comedic shtick as well.  His crowd-interactions make for some of the evening’s high points.

JJ’s style stands out from the majority of the singers I’ve met on the Irish pub tour in several ways.  To begin with, his personalized renditions of the classics reveal significant blues, and American country music influences, which bring the Celtic style home to the American South.  Live, JJ makes use of a lot of bass runs on his guitar which often helps to add a subtlety and a sense of motion outside of the songs’ basic chord structures.

JJ_Smith

JJ hails from Stonehaven, near Aberdeen, Scotland, but has resided in St. Petersburg, Florida for the past several years.  While in the States, he has steadily toured the southeast and managed to produce two album releases: Druid Roots Going Home, and his solo album JJ The Balladeer.  They’re both great and very distinct from each other.

         

Druid Roots was a trio JJ was a part of, a rather eclectic mix of folksy styles.  The album projects a heavy Celtic theme with very noticeable elements of East-Indian drumming, country-western music, and a hint of rock and roll.   My favorite track is Stonehaven Waltz, a traditional sounding Celtic ballad, but the whole album is worth the listen.

The Balladeer contains 15 tracks of excellently produced Celtic ballads.  JJ’s resounding baritone voice coupled with the full and sometimes booming open strings of his guitar create layers of richness within each song.  The songs are mostly mellow, somewhat nostalgic pieces.  The highlights include Galway Shawl (my personal favorite); a cover of the classic U2 hit I Still Haven’t Found what I’m looking For; and Whiskey on a Sunday.


Ishmael, An Adventure of the Mind and Spirit: Book Review

Quinn, Daniel (1992) Ishmael, An Adventure of the Mind and Spirit, New York: Bantam/Turner Books

Daniel Quinn’s award winning novel Ishmael is a compelling exposition of the author’s social and political perspective through the eyes of a gorilla.  The essential theme upon which the book is written is one that lays the blame of all our modern political and environmental perils squarely on the shoulders of the Neolithic agricultural revolution. The author’s reasoning is that agriculture is the beginning of human exploitation of the earth, other species and cultures.  Quinn further asserts that the world’s modern industrial agricultural society is unsustainable and destined to disaster. With these two premises established Quinn’s argument next follows that if the human race and the earth are to survive for much longer, industrial society will have to transform itself into a less exploitative culture. Ishmael­ has inspired an entire cult following of neotribalists desirous of bringing Quinn’s vision of a post-industrial society established on low impact kin based communities to life.

From its very first page Ishmael swiftly moves forward with a sense of purpose and profundity. As the story opens Quinn describes the unnamed narrator’s disgust at reading an ad in the personals section of the newspaper: “TEACHER seeks student. Must have an earnest desire to save the world. Apply in person.” The narrator expresses his sense of disillusionment at this presumptuous author whom he figures is just another charlatan marketing a worn out fashion statement as a social and spiritual revolution. This opening acts as a hook that catches the reader by the sensation of a social revolutionary disillusioned from the experiences of one flaccid effort after another, never truly offering or accomplishing anything substantially alternative to the status quo. Although skeptical of this self-appointed guru, our unnamed narrator still decides to investigate the charlatan he’s sure he’ll meet.  Surprisingly, the guru is not a man at all, but a gorilla named Ishmael capable of deep philosophical thought and communication. The lesson he seeks to impart is an accounting of the collision course upon which he sees the human race and that which he believes is the remedy for it.

The blurring of reality and absurdity is implicit in the author’s narrative bringing to life the remarkably believable character of Ishmael. The author’s deep use of metaphor begins at the title of the book and the gorilla’s name.  Ishmael stands as a representative, a spokesman of sorts for the natural order of the earth, flora and fauna.  While the gorilla had lived in a menagerie he began to became self aware and learned to recognize a certain sound as referring to him; Goliath.  The name is strongly indicative of the manner in which gorillas, great apes, wild animals and the natural world is typically viewed by modern humans; a degraded, threatening, crude philistine to be conquered by our heroic civilization. But when Mr. Sokolow upon encountering the animal announces to him “You are not Goliath,” he is making a profound statement about his rejecting the greater society’s perception of the world.  This statement is further expounded by the name which Mr. Sokolow instead chooses to bestow upon him. Transformed from the image of the hulk which tormented the Israelites Goliath is renamed Ishmael; the disinherited son of Abraham who through no fault of his own was cast out from the Israelite race, deemed as little more than “a wild ass of a man.”

        

Ishmael explains that all of the modern nations of the world whether England, Russia or China are descendants of these exploitative agriculturalists whom he designates Takers. Takers are acting out a myth that places them at the top of creation as the owners of the earth.  A different myth is being acted out by the few societies who exist in distant tribes and bands still living similarly to the pre-agricultural Mesolithic hunters and gatherers whom he designates Leavers.  Leavers do not see themselves as the masters of the earth, but as part of it. A society is always governed by a mythic theme and the difference between these two myths could not be more different.  The reason Ishmael says that all our social and political revolutions have failed to stop our eventual demise is because they have all failed to reject the Taker myth and simultaneously embrace the Leaver myth.

Ishmael explains that Nazi Germany was the inevitable result of the Taker’s myth being acted out and that this myth is still being acted out through the entire civilized world’s perception of, and behavior toward the natural environment. With the gorilla as instructor we are taught that the human race broke away from a sort of mystical interspecies ecological brotherhood, setting their selves and the world on a collision course to destruction by setting themselves up as gods who know the difference between good and evil, with the power to decide who should live and who should die.  Ishmael, the gorilla even uses the Genesis creation story as an example of a misinterpreted and incorrectly practiced narrative that has served to misalign the human race with the earth. The biblical fall in the garden, according to our gorilla mentor is really a story by which our pre-agricultural pastoralist contemporaries illustrated this severing from the natural order.  Once humans settled down and cultivated enough food to support a growing population they became warlike and expansive.

While generally well thought out and reasonable in his approach, there are several points in Ishmael’s interpretation of events that must be questioned.  He characterizes the farmers as the culture that victimizes the herding people’s and extinguishes all the other species, including the predators in their environment while completely exonerating herders for the destruction they also cause in the world.  Many forests have also been destroyed in order to create pasture land to feed the herds.  And there is after all a reason western folklore has always depicted the wolf as the antagonist of the shepherd.  Aside from this and a few other bits of artistic license taken by the author, Ishmael is a engaging book that stimulates deep reflection on our relationship with the earth now and throughout history.  To describe the course of our eventual demise Ishmael uses the image of a primitive, non-aerodynamic plane on its test flight plummeting toward the earth while the pilot looks down at the ground rushing up at him and says “well, it’s gotten me this far, no sense abandoning it now.”

Though classified as a novel, the majority of Ishmael takes the form of a dialogue between the unnamed narrator and the gorilla guru.  The message Ishmael hopes to impart to the world is that the human race’s only hope in continuing to survive lies in rejecting the myth of the Takers and embracing the myth of the Leavers.  The novel ends on somber tone, but one that imparts a motivating hopefulness and a sense of urgency.  Ishmael is an excellent book which should be read by everyone looking for real alternatives to the modern political and ecological turmoil engulfing the world.  We’re an inventive species.  It’s time to invent.


Larry Kernagis: Nashville’s Chief Leprechaun

Larry Kernagis is distinguished as the Chief Leprechaun of the Nashville based Celtic band cleverly named Def Leprechaun.  With a full repertoire of classic Irish folk and drinking songs, Larry also tours as a solo act.  I was fortunate enough to meet Larry at McGuire’s Irish Pub in Pensacola, Florida during this summer.

As a skilled performer, Larry’s rich personality shines through his stage show.  He’s friendly and personable, and interacts with the crowd brilliantly, accepting requests or limericks from the audience, bringing them into the show rather than keeping them as simple observers. I’ve even been fortunate enough to sit in with him on a couple different occasions.

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Moody View author Jay Moody with Larry Kernagis at McGuire’s Irish Pub

Since many newcomers to the Irish music scene may not be familiar with the well known or regionally adapted responses to the classic ballads, Larry often takes a moment to bring them up to speed, making the evening a truly interactive experience. He also brings with him a set of “The Viking Pirate Captain’s DL Songbooks,” with the lyrics to over 100 of the world’s favorite Irish pub songs for use by the audience.
                 

Larry is fluent on both banjo and guitar, switching between the two instruments frequently throughout the night, adding to the diversity of his style.  He plays to his crowd, and as the night progresses Larry might incorporate other well known American classics in the spirit of Jimmy Buffet and Elvis Presley, but he otherwise keeps the set tight with Irish tunes.

Larry Kernagis is originally from Chicago, but relocated to Nashville, Tennessee where he formed his band Def Leprechaun.  His performances make for an evening of ruckus and revelry.  Over the past few weeks, I’ve come to think of him not only as a great performer, but as a friend.

Don’t miss Larry Kernagis, whether he is in Pensacola, Nashville, or Las Vegas.  If you’re a little Irish or even just a fan, you’ll love Larry’s show.

Check out Larry’s band Def Leprechaun at their website here!