Tag Archives: Irish

The Irish Wake: Music Presented By McGuire’s Irish Pub

The Irish Wake, McGuire's Irish Pub

Death is a popular theme in Irish Music. Emblematic of this is the Irish Wake, an often rowdy gathering of mourners around the body of the departed, traditionally held in a family member’s home. McGuire’s Irish Pub and Rich McDuff have drawn upon this theme in the production of The Irish Wake, CD of popular Irish tunes.

Proclaimed as “music for and about an Irish Wake that includes solemn to lighthearted and humorous tunes,” the Irish Wake delivers upon its promise. These are high-quality musical arrangements making use of traditional Irish instruments, and with a few tunes characterized by layers of vocal harmonies. This is most noticeably heard on “Amazing Grace,” sung by Molly McGuire, making for a creatively unique and interesting rendition of the song. Some of the other highlights include “Rosin the Beau,” and “Isn’t it Grand Boys” (featuring the Boston Boys, a group of young McGuire’s patrons), and the title track – a Rich McDuff original.
This is a somber disk containing 14 tracks, each one another variation on the theme of death, and in some cases resurrection. Packaged in the standard CD jewel case, the cover photo is quite fitting for the music on this disk; an old Irish cemetery marked by generations-old Celtic crosses enduring the turn of the centuries, reaching grimly toward a grey sky.

Produced by Rich McDuff, and featuring Molly McGuire, the McGuire’s Pipe Band, and many local singers and musicians who frequent the pub, The Irish Wake is a great choice for fans of Irish music looking for a mellower listening experience. Entitled to compliment the Irish Wake, a green, rum-based drink popularized by McGuire’s Irish Pub, this CD is a clever bit of marketing as well as a pleasant journey through Irish music. A patron can enjoy an Irish Wake at the bar or in the restaurant, and before exiting the pub, stop in the gift shop and pick up a copy of this disk to remember his experience at McGuire’s.
It can also be ordered at the link below.


9 Top Irish Drinking Songs

The Irish have produced some of the best drinking songs ever written. Characterized by their catchy melodies, comical lyrics, and their tendency toward tragic endings; a good night of pub-singing is a communal activity with much crowd interaction and participation. The following is a list of my top nine Irish Drinking Songs, in no particular order. Why nine? If you must ask, perhaps you need to learn more about the Irish.

1- Beer, Beer, Beer

This is a straight forward song in praise of the fictionalized inventor of beer, Charlie Mopps. The name is meant to rhyme with barley and hops. The lyrics mostly describe how beer is made, where it is sold and how much better life is now that it has been invented. As far as creativity is concerned, lyrically this song is not the best. But it’s a great sing along tune the best thing about this song is its catchiness for group singing.

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2- Waxies Dargle

The singer tells us of his woman and his friend’s woman going about

trying to get money in order to go to the “Waxies Dargle,” a popular vacation spot on the bank of the River Dargle. Like so many other Irish drinking songs, the two women go about selling personal possessions, even some belonging to the singer himself in order to afford drinking money. The catchy hooks ends each round with the words “”What’ll ye have? Will ye have a pint? I’ll have a pint with you, sir. And if one of us doesn’t order soon we’ll be thrown out of the boozer.”

3- Whiskey You’re the Devil

A bit of a counterpart to “Whisky in the Jar,” this song is about the hazards of drinking heavy spirits. “Whiskey You’re the Devil” contains one of the wittiest verses in Irish drinking music; “Said the mother ‘Do not wrong me. Don’t take me daughter from me. For if you do I will torment you and after death, me ghost will haunt you.’” The chorus of this tune is the kind that just urges one to sing along.

4- Finnegan’s Wake

Tim Finnegan was a construction worker who had a bit of a drinking problem. He had a drink every morning before going to work. One day he had a bit too much and fell off a ladder and broke his skull. After everyone arrived at his wake, Finnegan’s widow served lunch followed by whisky punch. In short order some one said the wrong thing to another and a fight breaks out. Bottles of whisky are hurled through the air until the liquor platters over Tim’s corps. The whiskey magically revives him. Tim Finnegan stands up from the bed cursing the waste of good liquor and asking if they really thought he was dead.

5- All For Me Grog

Grog is a combination of liquors popular especially amongst sailors in the 18th and 19th centuries. Essentially it was a mixture of whatever was left over. The lyrics of this song tell us of what appears to be a pirate coming ashore with his plunder. He spends all his money on wild nights with gin drinking women. The poor fellow parties his way through several days until he is “sick in the head” and “full of pains and aches.” He eventually sells everything from his boots to his shirt for money to buy beer and tobacco and decides to head back out to sea in order to get away from all the trouble he has caused for himself in port.

6- Jug of Punch

Whiskey Punch is made with sugar, lemon, and water … and of course whiskey. This song begins with a man sitting peacefully in his room. Before long he is overcome with the desire to go out and have a drink. We next meet him in the pub with a “pretty wench” on his knee, but before long he finds himself in a bad way. The song traditionally ends with the singer proclaiming that upon his death; “just lay me down in my native peat with a jug of punch at my head and feet.”

7- Dicey Riley

One of the catchiest tunes in the Irish Drinking repertoire; Dicey Riley is about one hard drinking woman. She starts each day with a few drinks and continues on throughout the rest of the day. Each night she closes down the pubs, trashed and if she doesn’t have a friend to see her safely home she’ll sleep off her drink on a local park bench, only to do it all again the next day.

8- Whiskey in the Jar

Perhaps one of the most over played Irish drinking tunes, this one is a standard that has even been performed by the heavy metal band Metallica. The song is really about a robbery. The singer tells how he encounters one Captain Farrell in the mountains and demands his money at the point of pistol and rapier. He is eventually betrayed by his beloved Jenny, arrested and taken away by the very same Captain Farrell.

9- The Wild Rover

Actually a song written for the Temperance Movement, it is ironic that this song has been so lovingly embraced as a drinking tune. Simply put, the song is about a roving man who has decided to repent of his rambling and drinking ways. Along with “Whiskey in the Jar,” “The Wild Rover” is one of the most well known Irish drinking songs, so when it is played it is sure to get some crowd interaction.


Here We Come A-Wassailing; The Roots of a Christmas Tradition

It’s not Christmas without Christmas carols.  Many of our most traditional carols are filled with lyrics and lines that leave the modern caroler bewildered.  One of my favorite holiday tunes is “Here We Come A-Wassailing,” also commonly known as “Here We Come A-Caroling.”  Just what is wassailing?  Is it just an archaic word for Christmas caroling?  Actually no, it isn’t.  While the two terms have become generally accepted as interchangeable, caroling is just one aspect of a much deeper and more profound tradition of wassailing.

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Wassail is also a common name for a variety of mulled or spiced beverages such as apple cider, served hot and traditional during the winter months, especially at Christmastime.  In medieval England wassail was a common fermented drink, a type of ale, or mead, served with bread or toast and consumed ceremonially and socially like beer or wine in modern society.  Typical ingredients of wassail included sweetened apple cider, spices such as cinnamon, nutmeg and ginger.  Modern popular varieties may use a fruit juice, ale, or wine as a base, sometimes spiked with liquor.  Originating in England, wassail was traditionally used as a beverage for making important ceremonial toasts, a ritual closely related to the sumble.  The word itself is derived from the Middle English term waes hael, which means “good health to you.”  Similarly it corresponds to the Old English “wes hal,” and the Old Norse “ves heill.”

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In ancient Europe, wassailing was an important element in the highly tree oriented Anglo-Saxon religious complex.  The Yuletide rite consisted of a parade of revelers singing hymns and playing their drums and other musical instruments, roving between the orchards, leaving offerings and pouring libations.  The ceremony was intended to awaken the apple trees and chase away malevolent spirits in order that the trees should be healthy and produce an abundant crop the following year.  Hot mulled cider, prepared from the recent harvest was the traditional and symbolic drink consumed and offered at these ceremonies.

       

During the medieval period, under feudalism the wassail developed into a midwinter ritual in which the wealthy Lord would distribute goods from his storehouses to the peasants who worked his lands.  In exchange for gifts of his best foods, beers, ales, and wines, the Lord could be assured his people’s allegiance and fealty for the next year.  During the late sixteenth century, bands of young men would travel from orchard to orchard on Twelfth Night, performing the wassailing rite.  They would take their wassail bowl with them and leave offerings of bread or toast on the roots or branches of trees.  Libations of cider were poured on the roots in order that the trees would produce an abundant harvest the following year.  Wassailing cups and bowls were important communal ceremonial items used within all levels or society.  Wassail vessels came in many varieties from the large and intricately decorated silver goblet used by the Worshipful Company of Grocers guild, to the simple white maple bowls used by commoners.

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During the later historical era wassailing became associated with roving bands of the poor who would descend upon their wealthy neighbors’ homes at Christmastime.  Singing and dancing, they wassailers would demand entrance into the house, and shares of the residents’ best liquors and deserts.  This rite is forever enshrined in the words to the popular carol We Wish You a Merry Christmas; “Now give us some figgy pudding,” and “we won’t go until we get some!”  The estate’s owner was fully expected to play along and contribute to the “good cheer.”  If he didn’t, he could expect his reputation to plummet and possibly his property vandalized.  The old Yuletide holiday was celebrated in a fashion more similar to Halloween and trick-or-treat than to our modern Christmas. This drunken disorderliness is one of the reasons used to outlaw Christmas celebrations by the newly empowered puritans in the Commonwealth of England during the mid seventeenth century.  Over the past few centuries, the roving gangs of wassailers have become tamed into the serene image of the Christmas caroler singing from door to door in the white winter weather, sipping on hot apple-cider.  The hooligan shaking down the neighborhood for treats has been reserved for Halloween.

Wassailing in the old way however, is still practiced especially in the cider-producing western counties of England. In Carhamptona and Whimple, Wassails are held on Twelfth Night, January 17th*, as a means of asking God to bless the community with a healthy orchard and a plentiful apple harvest.  A Wassail king and, queen are selected to lead a procession from orchard to orchard as the participants sing and play music.  During this rite, the wassailers drink large droughts of cider until they are quite full of good cheer. Upon entering an orchard the participants form a circle around the largest apple tree.  The Wassail queen is lifted into the branches where she leaves a piece of toast dipped in wassail as an offering to the “tree faeries,” or the “good spirits,” commonly represented by the local robins.  A blessing to the tree is recited and near the conclusion of the ceremony a man fires a shotgun in the air to frighten away the evil spirits.  Then the revelers begin beating drums, some using pots and pans while singing a traditional invocation for a rich harvest before proceeding to the next orchard.  A popular wassailing song from nineteenth century Somerset County, England went as follows;

 

“Apple tree, apple tree, we all come to wassail thee,

Bear this year and next year to bloom and to blow,

Hat fulls, cap fulls, three cornered sack fills,

Hip, Hip, Hip, hurrah, Holler biys, holler hurrah.”[5]

 

Another old lyric from England says;

 

“Wassaile the trees, that they may beare

You many a Plum and many a Peare,

For more or lesse fruits they will bring,

As you do give them Wassailing.”

 

Our modern tradition of wassailing has taken an intriguing path on its way to us.   Now we can make a little more sense out of the opening lines of that old favorite at Christmastime.  “Here we come a-wassailing among the leaves so green,” is reminiscent of the old ritual of visiting the orchards, singing to the health of the apple trees to ensure the following year’s harvest.

“Love and Joy come to you,

and to you your wassail too,

And God bless you and send you a happy new year.”

* The date of Twelfth Night is in dispute in certain parts of Britain.  The date on the Gregorian calendar corresponds to January 6th, or the eve of January 5th.  The pre-Gregorian, Julian date which is followed by the old traditionalists falls on January 17th.


Eight Christmas Characters Most Americans Don’t Know

To most Americans Santa Claus is the face of the Christmas season popularized most heavily by the poem T’was the Night before Christmas which essentially codified the Santa tradition in the United States.  Based heavily off of the earlier European models like Sinterklaas, Father Christmas, Old Man Winter, and of course St. Nicolas, the poem took these old world variations and developed the jolly old elf we know and love today, complete with his sleigh and eight tiny reindeer.  Rudolf would have to wait until much later to be introduced into the mythology.  But throughout Europe there is a broad range of Christmas characters less familiar to Americans, who reveal the richness of this holiday tradition.  Here are eight Christmas characters most Americans don’t know.

1) Yule Lads

In Iceland, 13 mischievous Yule Lads start coming to town one a day beginning thirteen days before Christmas, each one staying for two weeks.  They appear to be quite troublesome spirits, partaking in all sorts of impish behavior, robbing, pulling pranks on, and generally harassing the townspeople.  Each of the thirteen Yule Lads or Yulemen have rather unique names that express the character of their misdeeds such as Meat-Hook, Window-Peeper, and Sausage-Swiper.

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2) Christkind

Christkind is the Christ child, or the baby Jesus.  While Christmas is commonly celebrated as the birth of Christ, He is typically not thought of as the Christmas gift-giver in the United States.  In several Eastern European and Latin American countries this little Jesus comes secretly and leaves presents for the children set up around the Christmas tree. Christkind was popularized by Martin Luther during the Protestant Reformation as a reaction against the overly Catholic symbol of St. Nicolas.  He is usually depicted as an angelic child complete with wings.  The name Christkind has been suggested as the origin of Kris Cringle, one of Santa Claus’ many names.

3) Knecht Ruprecht

In German folklore the Servant Rupert, is a companion of Sinterklaas.  He is depicted as a man with a long beard, dressed in fur, covered in soot, carrying a walking staff and a sack of ashes with jingle-bells hanging from his clothes.  He is sometimes in the company of fairies and men with blackened skin dressed as old women.  When he arrives, he asks the children if they know how to pray.  Those children who can are rewarded with fruits, nuts and cookies.  Those children who cannot pray, he beats with his sack of ashes.  In the shoes of naughty children he places lumps of coal, rocks, or switches for their parents to use in spanking them.

4) Befana

To Americans witches are associated with Halloween and are the furthest things from our minds during the season of cheer and good will.  That’s not the case in Italy where the Befana is the popular symbol of the Christmas season.  Befana is an old woman who brings presents to the good Italian children on January 5, the Eve of the Epiphany.  Instead of a jolly old elf, she is known as a raucous and shameless Witch.  Instead of a sleigh, Befana flies through the air on that most traditional instrument of witchy aeronautics, her broom.  For the good children she leaves presents and candies in their socks. For the bad children she leaves a lump of coal.

              

5) Krampus

Krampus is a popular Christmas spirit especially around Austria and Hungary.  A traveling companion of St. Nicolas, he is charged with punishing the naughty children.  He appears as a fearsome beast like a goat dressed in black rags, carrying old heavy chains.    Some traditions tell that Krampus is the devil and the chains are representative of his servitude in Hell.  At the beginning of December, especially on the night of December 5, men don regalia made from goat-hair, hideously detailed masks with red horns, long tongues and chains.  They get drunk and wander the city streets with switches to threaten and frighten the children.  Late at night, when St. Nicolas is preparing to visit a house and leave his presents, the children are warned that they must go to sleep and not try to peak out and catch a glimpse of St. Nicolas, otherwise the Krampus might snatch them up and carry them away in his sack.

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6) Zwarte Piet

Zwarte Piet (Black Peter) is an elfin figure with blackened skin stained from the soot of all the chimneys down which he descends on Christmas.  A popular character in Belgium and the Netherlands, Zwarte Piet is a companion of Sinterklaas and shows up during the weeks preceding the Feast of St. Nicolas.  The Zwarte Pieten entertain children and toss out cookies and candies.  The origin of Zwarte Piet is mysterious.  One tradition says that Sinterklaas defeated Satan and pressed him into service but, in the 19th century Zwarte Piet was remade to resemble a Moor.  Some traditions say that he was a slave named Peter, rescued and liberated by the Sinterklaas, becoming his regular companion.  In modern festivals Zwarte Piet is depicted with black skin, red lips, dressed in bright, colorful Renaissance attire.  To the good children Zwarte Piet brings presents and candy.  For the bad children he carries a bundle of birch branches for their parents to use in punishing them.  Especially naughty children face the prospect of Zwarte Piet throwing them in a giant sack and spiriting them away to Spain.

7) Tió de Nadal

The tradition of Tió de Nadal comes out certain regions of Spain such as Catalonia and Aragon.  In some ways it bears a striking resemblance to the Yule Log, common in Anglo and Germanic countries.  The iconic Tió is a hollowed out log, roughly one foot in length, often with one end painted with a smiling face, set up as a decoration in certain households.  Beginning on the Feast of the Immaculate Conception on December 8, and throughout the Christmas season the Log is cared for like an idol.  He is treated with offerings of food every night from the Feast until Christmas.  At night someone in the house will cover the Log with a quilt to keep him warm.  Although similar in theme to the Germanic Yule Log, the Tió differs in a quite profound and rather unique manner.  Another name for the Tió de Nadal is Caga tió, or the “pooping log.”  On either Christmas Eve or Christmas Day the household sings traditional Christmas songs associated with the Tió while beating him with sticks, encouraging him to poop.  When the Tió opens up he “poops” candy, dried fruit, and nuts which everyone share together.

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8) Yule Goat

The Scandinavian Santa Claus and is often referred to as the Yule Goat, a tradition native to Northern Europe.  Yule is the old Germanic name for the Midwinter festival that became associated with Christmas, on which day the Yule Goat was slaughtered and eaten.  Scholars connect this tradition with Thor, the Nordic god of thunder who rode his chariot through the night sky at Yule drawn by two goats named Tanngrisnir and Tanngnjóstr.  In countries such as Finland the Yule Goat was a horrid beast that terrified children and could only be pacified with gifts rather than delivering them.  In other parts of Scandinavia the Yule Goat was a benevolent spirit who monitored the Yule festivities to assure that the rituals were performed properly.  One tradition has a man dressing in the furry costume of the Yule Goat, complete with long horns which was theatrically sacrificed and resurrected to the tune of a traditional Yule song.  Modern Yule Goats however, are often ornaments fashioned from straw into the shape of a goat and adorned with red ribbons used to decorate for the Christmas season.  Larger than life sized Yule Goats, also made from straw are set up around town and are often the unfortunate targets of hooligans who set them on fire on the days leading up to Christmas.

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A Scandinavian Yule Goat


Lojah in Celtic-Folk-Punk

I was covered in Celtic-Folk-Punk at blogspot recently.

Lojah is a Native American-Irish folksinger from Pensacola, Florida. He describes his eclectic sound as Creolized Roots Music, influenced by Caribbean rhythms, Celtic melodies, and Southern American blues. His music is immersed in social realism, and arcane insight woven together with tongue-in-cheek witticism and a festive vibe. He is currently performing acoustic sets along the Gulf Coast.

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Pub Songs on Palafox” is a four song, lo-fi, EP recorded in the raw as a live-air production that captures the energy and sound of a Lojah solo performance as executed while busking downtown in competition with the various sounds of a bustling city street.

 Lojah begins with a rowdy Irish pub tune, “Dicey Reilly“, about a lush of a woman who spends her life crawling from pub to pub; a sailor’s favorite. “The Black Velvet Band” is another classic Irish ballad about infatuation, deceit and injustice which takes us out of the pub and away from the Emerald Isle to a penal colony in Australia. Following up is “Looks Like Jesus“, a rockabilly-blues styled piece and a Lojah original that tells the story illustrating the conflict between despair and ambition, shroud with esoteric imagery, set in the Southern atmosphere he calls home. “Miss Constance” concludes the record, a naughty Caribbean-styled tune about the perils of younger women.

Released 21 June 2013

Jay Moody (Lojah) – guitar, vocals
Recorded at Jinks Music Universe, Pensacola, FL


JJ Smith, the Balladeer

I naturally met JJ Smith at McGuire’s Irish Pub in Pensacola a couple years back.  Kilted in the tartan of the Lamont clan, JJ runs a show that is not just a folk music performance but a bit comedic shtick as well.  His crowd-interactions make for some of the evening’s high points.

JJ’s style stands out from the majority of the singers I’ve met on the Irish pub tour in several ways.  To begin with, his personalized renditions of the classics reveal significant blues, and American country music influences, which bring the Celtic style home to the American South.  Live, JJ makes use of a lot of bass runs on his guitar which often helps to add a subtlety and a sense of motion outside of the songs’ basic chord structures.

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JJ hails from Stonehaven, near Aberdeen, Scotland, but has resided in St. Petersburg, Florida for the past several years.  While in the States, he has steadily toured the southeast and managed to produce two album releases: Druid Roots Going Home, and his solo album JJ The Balladeer.  They’re both great and very distinct from each other.

         

Druid Roots was a trio JJ was a part of, a rather eclectic mix of folksy styles.  The album projects a heavy Celtic theme with very noticeable elements of East-Indian drumming, country-western music, and a hint of rock and roll.   My favorite track is Stonehaven Waltz, a traditional sounding Celtic ballad, but the whole album is worth the listen.

The Balladeer contains 15 tracks of excellently produced Celtic ballads.  JJ’s resounding baritone voice coupled with the full and sometimes booming open strings of his guitar create layers of richness within each song.  The songs are mostly mellow, somewhat nostalgic pieces.  The highlights include Galway Shawl (my personal favorite); a cover of the classic U2 hit I Still Haven’t Found what I’m looking For; and Whiskey on a Sunday.


Larry Kernagis: Nashville’s Chief Leprechaun

Larry Kernagis is distinguished as the Chief Leprechaun of the Nashville based Celtic band cleverly named Def Leprechaun.  With a full repertoire of classic Irish folk and drinking songs, Larry also tours as a solo act.  I was fortunate enough to meet Larry at McGuire’s Irish Pub in Pensacola, Florida during this summer.

As a skilled performer, Larry’s rich personality shines through his stage show.  He’s friendly and personable, and interacts with the crowd brilliantly, accepting requests or limericks from the audience, bringing them into the show rather than keeping them as simple observers. I’ve even been fortunate enough to sit in with him on a couple different occasions.

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Moody View author Jay Moody with Larry Kernagis at McGuire’s Irish Pub

Since many newcomers to the Irish music scene may not be familiar with the well known or regionally adapted responses to the classic ballads, Larry often takes a moment to bring them up to speed, making the evening a truly interactive experience. He also brings with him a set of “The Viking Pirate Captain’s DL Songbooks,” with the lyrics to over 100 of the world’s favorite Irish pub songs for use by the audience.
                 

Larry is fluent on both banjo and guitar, switching between the two instruments frequently throughout the night, adding to the diversity of his style.  He plays to his crowd, and as the night progresses Larry might incorporate other well known American classics in the spirit of Jimmy Buffet and Elvis Presley, but he otherwise keeps the set tight with Irish tunes.

Larry Kernagis is originally from Chicago, but relocated to Nashville, Tennessee where he formed his band Def Leprechaun.  His performances make for an evening of ruckus and revelry.  Over the past few weeks, I’ve come to think of him not only as a great performer, but as a friend.

Don’t miss Larry Kernagis, whether he is in Pensacola, Nashville, or Las Vegas.  If you’re a little Irish or even just a fan, you’ll love Larry’s show.

Check out Larry’s band Def Leprechaun at their website here!


Rich McDuff: Pioneer of the McGuire’s Music Scene

Rich McDuff is Northwest Florida’s most popular Irish folk music performer.  With a loyal and regular fan base, Rich helped build and define the music scene at McGuire’s Irish Pub while performing there for more than twenty years.

Although the moose-kissing tradition at McGuire’s predates Rich’s arrival on scene, he is responsible for writing the accompanying, and now entrenched “Kiss the Moose” song.  He explains “When I began playing here, asking a first-time patron of McGuire’s to kiss the moose might be met with a bit of confusion and resistance.  The traditional aspect was lost on them.  I figured if there was a song to go along with it, it would give the tradition a bit more validity for first-time visitors to the pub.  And it has worked out pretty well.”  Now every act that performs at McGuire’s plays this song, and the moose-kissing tradition has expanded to include not only the moose but a couple other McGuire’s fixtures as well.

Rich is also known or pushing the bounds of the debauchery which is naturally as part of McGuire’s slogan.  His “Dirty Limerick” song, played to the classic mariachi tune of “Cielito Lindo” contains rhymes that could even surprise a hip-hop fan.  Many of Rich’s regulars eagerly look forward to this point in the evening, awaiting their opportunity to share the stage with him and recite their own limerick specially prepared just for this song.  The best and most classic limericks are written on a scroll and tucked away in the secret archives, only to be taken out upon the performance of this tune.

Even more entertaining, energetic, and amusing is Rich’s version of “Seven Drunken Nights,” with extended responses – a wee bit too naughty to be written down here.  This point of the night is when you are likely to see the most crowd participation.  This rendition of the classic Irish song is memorable, if not for the increasingly lengthy responses, but the reactions and looks on the faces of new comers to the McGuire’s scene.

         

Crowd interaction is a major part of Rich’s act.  You never know just where the night will lead or how ridiculous the antics are likely to become.

Rich’s set also contains a set of American country, and acoustically played classic rock songs familiar to everyone.  As a classically trained guitarist, Rich McDuff’s musical talent becomes most apparent when he plays a traditional jig or reel or the occasional classical guitar piece.

Rich’s revolving schedule alternates between the pubs in both Pensacola and Destin, Florida.  While he is away, his regulars in Pensacola always look forward to his return.  Some will even make the drive to Destin to see him when he is performing there.


Dun Aengus: Irish Music and Revelry

The first time I ran into the Irish music duo Dun Aengus was at McGuire’s Irish Pub in Pensacola, Florida in March 2010.  It was the last night of the Renaissance Faire and a handful of us met up at the pub for a drink.  They were a great band that night, playing a lot of the classic Irish drinking songs I’ve known and loved.  I would have gone up to the pub to see them again but they were on tour and leaving for south Florida the next day.

I caught up with them again the following St. Patrick’s Day, once again at McGuire’s.  They were rocking the house with popular Irish and Scottish tunes and a few popular American classics for good measure.  Just like last year, Dun Aengus had the crowd enraptured, gathered on the floor in front of the stage dancing with wild abandon to these classic sing-alongs.  The Irish was certainly high that night.

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Dun Aengus with special guest Jay Moody at McGuire’s Irish Pub in Destin, FL.

Hailing from Sweden, Dun Aengus consists of Peter Andersson on banjo and vocals, and Martin Rahmberg on acoustic guitar and vocals.  Martin’s gruff singing style contributes a real rootsy “beer and tobacco” quality while Peter’s smoother harmonies and verses compliment and broaden the sound.  Peter’s banjo leads also carry the melodies that distinctly bring out the Celtic quality of the music.  Their repertoire includes such classics as “Whiskey in the Jar,” “The Wild Rover,” and “All For Me Grog,” and a full night’s compliment of others.

Dun Aengus is an excellent Irish music duo worthy of some support.  I’ll be keeping track of them so I can catch them again next time they‘re in town.

This is a video of Martin and Peter of Dun Aengus, with their other band King Laoghaire, performing “A Place in the Choir,” a really catchy tune which is also available for download on CDbaby.

           


McGuire’s Irish Pub, Pensacola

McGuire’s Irish Pub is a Pensacola landmark, rich in atmosphere and tradition.  Located in the Old Firehouse at 600 E. Gregory St. Pensacola, Florida, McGuire’s boasts “Feasting, Imbibery, and Debauchery 7 nights a week.”  Themed as “a turn of the century New York Irish Saloon” McGuire’s features nightly performances of traditional Irish Music and sing-along.  Such artists of note include Rich McDuff, The Guinness BrothersDun Aengus, and JJ Smith playing a majority of classic and traditional Irish folk music.

Established by McGuire and Molly Martin in 1977, but only located at Gregory Street since 1982, this pub has a few traditions that have grown up with it.  The ceiling and the walls are covered with over 1 million one dollar bills, signed and donated by the pub’s patrons.  In the late night hours, as the debauchery gets a-going new comers and those overcome with that Irish spirit may be called up to kiss the moose as the featured artist sings the traditional moose-kissing song.

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Moody View publisher Jay Moody with Larry Kernagis (banjo) at McGuire’s Irish Pub

As a restaurant McGuire’s serves lunch during the day and dinner until the wee hours of the morning and employs some of the hardest working wait staff in Pensacola.  Dining at McGuire’s is always fun and satisfying, with very large portions.  The nacho plate alone is piled up the size of your head.  And the quality is top of the line.

McGuire’s is a winner of numerous awards including Beef Backers “Best Steaks in Florida,” for their USDA Prime Beef steaks.  Their Molly’s Cut is the best steak I’ve ever had.  It is also an 11 time Golden Spoon Award Winner, and a Florida Trend Magazine Hall of Famer.  McGuire’s has also been featured on the Food Network’s Outrageous Foods during which the “Big Daddy Burger” made with bacon, cheddar cheese and jalapeno peppers was created.

McGuire’s is also celebrated for its selection of beers.  They proudly display a quote by Carrie Nation; “Life’s too short to drink cheap beer.”  McGuire’s operates an onsite brewery where are created a selection of quality ales and porter.  They include a light ale, Irish Red, Raspberry Wheat, Porter, Stout and root beer.  They also brew and serve a rotating variety of seasonal ales.  Visitors may tour the McGuire’s Brewery and home brewers are offered a sample of McGuire’s own brewing yeast for use.

            

The bartenders are very friendly, professional and offer quick service.  They pour 1½ oz shots and double shot martinis.  McGuire’s is the home of the aptly named Irish Wake, a green concoction served in a mason jar with a green and a red cherry, so potent that no more than three are allowed per customer per visit.  Amongst its many awards, McGuires with its 8,000 bottle wine cellar is also the winner or the 2009 WineSpectator Award of Excellence.

To new folks, the McGuire’s layout may cause some initial consternation.  Much like the TARDIS from Dr. Who, McGuire’s seems to be bigger on the inside than it is on the outside.  Like Disney World, much of McGuire’s is virtually unseen from ‘above ground,’ with 400 seats throughout several different themed rooms.  Then there are the bones of Bridget McGuire.

McGuire’s is a regular stop for many celebrities and politicians who live in or pass through Pensacola, including 2008 Presidential candidate John McCain.  This is a fantastic pub in which to be a visitor or a regular.  With good food, good drink, and great atmosphere, you won’t be disappointed.  Just be sure to pay close attention to the restroom signs when ye stop by.