The Handlebar, Pensacola

handlebar

The Handlebar is a hub of the Pensacola music scene.  Located at 319 N. Tarragona St. the Handlebar has had a reputation for being a heavy metal and punk rock hangout.  Due to the implications in the name, it has often been mistaken for a biker bar.  The truth is that the Handlebar is a melting pot of styles and genre, with musical features which naturally include heavy metal and punk rock, but pop, folk and even country as well.

Ever since the bar first opened, the Handlebar has provided a stage for local and touring bands to perform and promote themselves.  Some of the better known acts that have performed at the Handlebar include Run DMC, Black Flag and TSoL.

The Handlebar serves beer and wine in a single community room with plenty of open space providing a clear view of the stage.  It’s a simple brick and mortar design splashed with black graffiti, decorated with vintage photos hanging crookedly on the walls.  At the north end of the bar, opposite the stage sits a piano I’ve never seen played ornamented with a Pet Rose Plaque and a skull in voodoo fashion, capped with a bud light sign.

There is a single billiard table and jukebox that plays when there are no bands onstage.  Typical selections include anything from the Dead Kennedy’s or Led Zeppelin to Johnny Cash and Elvis Presley.

The back courtyard of the Handlebar makes for great escape sometimes from the volume and activity inside.  With two tables outside, patrons of the handlebar can enjoy their drinks, company and the fresh air of the mild Pensacola climate.

The Handlebar is a required stop in Pensacola if you enjoy the atmosphere and music of an underground music scene.  It has been an active part of the Pensacola music scene for so long that anybody playing original music locally inevitably plays many shows at the Handlebar.  It’s been one of my regular hangouts for years.

If you want to know more about the Handlebar, check out their webpage here.

What is Enlightenment?

sun_rounding_earth_nasa-HD

“In the beginning when God created the heavens and the earth, the earth was a formless void and darkness covered the face of the deep Then God said, “Let there be light;” and there was light. And God saw that the light was good; and God separated the light from the darkness. God called the light Day, and the darkness he called Night.”

This first passage from the Book of Genesis hearkens back to the earliest times, the times even before light. Though allegorical at best, these words illustrate the scene of our great creator, for the first time shedding light on an infant world.

Similar creation myths from around the world illustrate the same basic imagery of a world in darkness which only truly comes to life after the divine powers create the sun, bringing the land out of darkness, enlivening it so it may become fruitful and prosperous. The lesson in these stories seem to be pointing us toward a certain direction, as if to suggest that only after being brought from darkness to light that a person can truly live to his full potential. This is the earliest seed of enlightenment.

The word inlihtan first appeared in Old English around 1382. According to the Online Etymology Dictionary the term was used figuratively meaning “to remove the dimness or blindness from one’s eyes or heart.” (1) In this case enlightenment would be the state or process of doing so. Light, figuratively is what has been sought by all of humanity from birth, whether theologian, legislator or scientist. Countless symbols both secular and religious illustrate this point. The solar cross, an equal armed cross within a circle is likely the world’s most ancient invented spiritual symbol. It can be found throughout all of history inscribed from Ireland to Japan, from northern Scandinavia down through Africa, Australia and Pacifica. The solar cross is said to represent the solar calendar, marking the solstices and the equinoxes and is often credited to “sun-worship.”

In the Americas, Native religions also fixated on this solar symbol as the most significant spiritual metaphor. In English, this pan-Indian circumscribed cross is referred to as the Medicine Wheel. Amongst its many uses the Medicine Wheel is not only a symbol of the sun but wheelit is also a gauge by which to judge an individual’s level of knowledge and insight. The four corners of the cross usually represent the four directions, each one associated with a particular animal or spiritual being, representing certain desirable attributes associated with them. In the book “Seven Arrows,” Hyemeyohsts Storm allegorically describes the process by which the individual may come to enlightenment by way of the Medicine Wheel, attaining the various attributes associated with each point and thereby becoming a complete human being.

In more Buddhist circles enlightenment is described as a state of “wisdom that arises from the direct experience of all phenomena being empty of independent existence.”(2) This definition is more literal than the figurative definition previously given; “to remove the dimness or blindness from one’s eyes or heart,” but in essence it still remains the same. When one “sees” the light, he effectively “sees” or comprehends reality on a much higher than mundane level, no longer bound by flawed reason operating in darkness. Light has been shed upon obscure and often mysterious phenomena. The enlightened is knowledgeable and wise regarding his relationships, his role in society and the significance of everyone and everything else with whom he interacts. It is from the human quest for this figurative light that all our arts, sciences and religions were developed, originally as one quest for knowledge and meaning and later breaking up into separate specialized disciplines.

buddha

In the modern western world we have been brought up to think of religion as an organized system of belief and practice, following particular creeds and professing faith in a divine being. This idea certainly fits the definition of religion but the word is hardly confined by it. The Latin origin of the word had a far more pragmatic application regarding its relationship, not only to the divine but to everyone and everything around the person. In Latin the word religre means to bind and comes from the verb “ligre, to close or combine, to create an alliance or to make a deal to form a bond or to create a relationship.

Other words such as legislation and delegation also find their roots in this verb; the process of defining morality and proper behavior between a person, his fellow humans and his government or between governments religre. Ideally, this is achieved through the constant pondering of right and wrong, propriety and impropriety and through discourse with others doing the same. In society both ancient and contemporary, legislation even defines kinship, of who can and cannot marry due to how they are related or how it is perceived that they should or should not relate to each other. As any anthropologist will likely agree; kinship is one of the most vital foundations of coming to terms with a society’s traditions, laws and religion.

It is clear that the word religion in its truest definition reflects a system of relationships, not just a system of belief. It more properly refers to cultural paradigms and organized principles of morality. What is morality other than the proper behavior one human should have towards all his relations? Enlightenment is the state or process of pondering the mysterious or seemingly inexplicable, to organize thoughts, create theories and test them for the purpose of bettering the self and society. Philosophers, physicians and metaphysicians have continuously sought to shed light on obscure and illusive subjects, rendering them into workable formulas of knowledge and theory. Physical science perhaps most of all has sought and often achieved creating light from darkness and knowledge where none existed before and defining relationships between geometric shapes and numbers or strands of DNA. This is the most natural of human aspirations; to learn and develop, to mature into wisdom, organize it and apply it, passing it on to the next generation. This is the process of enlightenment.

Some theories suggest that the linguistic use of the word enlightenment is a remnant of “sun-worship,” an outdated and archaic form of religion. How unfortunate that they should have such an unenlightened perception of the subject. Sun-worship, if it ever really existed in any true form was no doubt an outgrowth of humanity’s natural inclination to seek the light of truth and understanding, the sun being the earliest example of luminescence and its contrast to darkness. In the light of day, primitive man could analyze his environment and learn. Darkness represented ignorance and lack of perception. Therefore it is only through light, even the dim glow of the stars that one could discern, learn and develop.

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Benjamin Franklin

It should come as no surprise that the first great period of European discovery, development of the arts, sciences, government and religion, emerging from the ignorance and oppression of the Dark Ages is typically referred to as the Age of Enlightenment. The Enlightenment Age was defined by reason and that humans by nature are autonomous, responsible for their own self development and the welfare of society. Self-development was often defined as the citizen’s responsibility through their own efforts to be educated and participate in politics in order to help reform the ills of society. It is from this era of enlightenment that the United States Declaration of Independence was written declaring that it was the people’s right and our destiny endowed by our Creator, entitled by the Laws of Nature and of Nature’s God to liberate ourselves from tyranny. This was revolutionary thinking in its day. Political revolution was everywhere and it redefined Europe from the ground up. The Age of Enlightenment was defined by revolution and redefinition

Enlightenment is more than a metaphor and it is not just an abstract idea involving transcendental escapism from worldly suffering. Nor is it the result of diligently following a particular creed or maintaining a particular set of teachings and exercises or any other magical formula. Such things are merely working tools to help along the way. Enlightenment is a process of seeking and uncovering the truth about ideas, traditions, institutions and relationships and then putting them into action. Enlightenment is only enlightening in action even if that action is pursuing stillness. Balance and propriety must be nurtured. Wrong action and reaction must be subdued. The path of enlightenment is a process of discovery, reflection and devotion. It is the continuously seeking of the light of knowledge and defining our world, liberating the human race from darkness and tyranny.  Only in this way will we ever see a truly enlightened age.

(1) Online Etymology Dictionary. Douglas Harper, Historian. 13 Nov. 2007. <Dictionary.com http://dictionary.reference.com/browse/enlighten

(2) http://www.kusala.org/udharma6/enlightnirvana.html

Should Felons have the Right to Vote and to Bear Arms?

It’s been an issue of debate for decades, and recently it’s a hot topic once again: should felons be allowed to vote?  And what about their rights to keep and bear arms?

In most states citizens convicted of a felony lose their right to vote for a period of time.  In some states such as Florida, Iowa and Kentucky, this right is lost forever unless granted clemency that reinstates that right.  Under federal law a citizen convicted of a felony loses their 2nd Amendment rights to keep and bear arms.   I’ve heard and read the arguments from people who support these perpetual abridgements of citizens’ rights for felony convictions, and for the most part I’m simply not convinced.

To boil it down the argument seems to essentially be a matter of “they chose to commit the crime, so they can’t be trusted with these rights.”   While I am an avid supporter of the 2nd Amendment (as well as the other 9 in the Bill of Rights), I can at least see a certain amount of logic regarding the right to own and carry a gun being restricted from a person who has been convicted of a violent crime in which the perpetrator used a firearm.  Similarly restricting the right to vote of a felon may be reasonable if the citizen was convicted of something like election fraud for voting multiple times in the same election.  But the majority of felons are convicted for outlawed activity nothing like those.

Consider for a moment that laws are made and unmade by humans, and the judicial system is not infallible.   In a lot of states felonies include behavior like driving on a suspended license more than twice, and the most commonly committed felonies include possession of a controlled substance like marijuana.  And more than a few times innocent people have been convicted of felonies.

But it begs the question: if these three rights: the right to vote, the right to keep arms and the right to bear arms can so easily be abridged by committing a felony, then what other rights should be taken away when you are convicted of a crime?  This gets even more interesting if we also apply the “once convicted, can’t be trusted with that right forever” argument.

Convicted of a felony involving a church scandal: lose your 1st Amendment freedom of religion

Convicted of fraud: lose your 1st Amendment freedom of speech

Was that fraud committed in written form and disseminated?: Lose your freedom of the press

Convicted of harboring a fugitive, or keeping some outlawed paraphernalia in your home, maybe an empty shell casing in Washington DC: Lose your 4th Amendment protection against unlawful search and seizure

Convicted of a crime on your own private property: lose your 5th Amendment right to private property

Convicted of ANYTHING: lose your 5th, 6th, & 7th Amendment rights to a fair and speedy trial by jury (Why not? You’re a criminal.  You can’t be trusted to plead your case honestly anyway … right?)

This could go on and on.  We could have all sorts of fun finding reasons to restrict your 3rd Amendment rights against boarding soldiers.

One more disturbing argument I hear comes mostly from social conservatives who are afraid that the majority of felons would vote for social liberals and economic socialists if allowed.  While I might tend to share the second concern, that’s a bias that I can’t ethically support legislatively.

Many states have a treason law on the books.  Perhaps the current administration could reinstate some form of Sedition Act, thereby outlawing criticism of the government.  Then republicans, libertarians and disappointed democrats could be rounded up and charged with sedition, having their rights to vote and keep and bear arms removed.  Hey, it would be law; they would be guilty; and felons can’t be trusted right?

Freemasonry and the Great Seal on the Dollar bill

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The intriguing imagery of the Great Seal on the back of the United States’ one dollar bill is cause for much curiosity and speculation.  This has been a discussion amongst fans of the occult for decades, but in recent years the success of the movie “National Treasure” has brought the subject to the attention of popular culture and revived the myth that the symbols on the Great Seal represent a secret Masonic code.  While it is true that several of the United States founding fathers were in fact Freemasons, it is not true that the United States One Dollar Bill contains any symbolism adopted from or inspired by Freemasonry.  The true meanings behind the symbolism of the Great Seal on the dollar bill, while having a great depth of meaning is not so mysterious or esoteric.

The Symbolism

The Great Seal of the United States consists of a bald eagle spread with 13 arrows held tightly in his left talon. His right talon clutches an olive branch with thirteen leaves. Supported on the eagle’s breast is an escutcheon or shield containing a representation of the United States Flag-a blue field and 13 alternating red and white stripes. In his mouth he carries a banner which contains the Latin Phrase “E pluribus Unum.” Above his head is a radiant six-pointed star composed of 13 five-pointed stars.

On the obverse side of the Great Seal, found on the left side of the dollar is a representation of an Egyptian style pyramid with 13 layers and a flat, truncated top. Just above this sits an eye inside a triangle. At its base are inscribed the Latin numerals indicating the year 1776, the year of American independence from Britain. Circumscribing the image are the Latin phrases “Annuit Coeptus” above and “Novus Ordo Seclorum” below.

The Explanation

The repetition of the number 13 on the Great Seal and the United States Flag is a subject of great interest to conspiracy enthusiasts and occultist speculators who parrot inaccurate resources claiming the number 13 has special meaning to Freemasons. The fact is that the number 13 has no special significance to Freemasonry and never has. Freemasonry does place special emphasis on certain numbers such as 3, 5, 7 and 15, but not on the number 13.  The number 13 does however, have a rather special significance to American history. The number 13 happens to be precisely the number of the American colonies who rebelled against Britain, becoming the United States. This is why the designers of the Great Seal emphasized the number time over again.

The bald eagle, the national bird of the United States was adopted from interaction with Native Americans. Many traditional Native American communities have considered the bald eagle the most sacred of all birds and a symbol of the Creator. The founders of the United States in imitation of their Indian neighbors adopted the bald eagle as the greatest symbol of freedom and liberty and the highest aspirations of the new nation.

great seal dollar photo: The Seal on the Dollar Bill GreatSealofAmerica.jpg

The escutcheon resting on the eagle’s chest contains the symbol of the American flag. The last man who worked on the seal’s design, Charles Thomson described the meaning behind the colors of the flag and the other symbols in this manner;

“The colours of the pales are those used in the flag of the United States of America; White signifies purity and innocence, Red, hardiness & valour, and Blue, the colour of the Chief signifies vigilance, perseverance & justice. The Olive branch and arrows denote the power of peace & war which is exclusively vested in Congress. The Constellation denotes a new State taking its place and rank among other sovereign powers. The Escutcheon is born on the breast of an American Eagle without any other supporters to denote that the United States of America ought to rely on their own Virtue.”*

It is also interesting to note that the colors red and white are often used by Native Nations of the Eastern United States to represent war and peace respectively. Many of the Muskogean towns were historically divided into red-military and white-diplomatic communities which were loosely united under various confederacies. It should come as no surprise that the seal of the United States contains so much Native American symbolism when one considers the fact that many of these same founders had stormed a British ship during the “Boston Tea Party” dressed in war paint and feathers just a few years earlier.

The arrows and the olive branch held in the eagle’s talons represent two diametrically opposing principles that help to establish and maintain a nation; war and peace. The symbol of the arrows held together was adopted from the Iroquois Confederacy which influenced much of American democracy.  The Iroquois used the image of seven arrows which represented the seven different ‘tribes’ who composed the Iroquois League.  The symbolism teaches that one arrow alone (a single tribe) is easily broken, but all seven held together in a single common defense are much more difficult to break. The Founders of the US used the same symbolism, altered slightly to account for all the 13 United States.  This coincides with the Latin motto displayed on the eagle’s banner; “E pluribus Unum” which translates as “Out of many, One,” illustrating the Union formed by these States. The United States is after all, many states which make up a single nation.

The olive branch is an ancient symbol of peace and vitality from western cultures. It was used widely by the ancient Mesopotamians, Greeks, Egyptians, Hebrews, Romans and Persians. The olive has been a widely adored fruit, the oil of which was anciently claimed to have many healthful and spiritual properties. The many designers of this seal used these two images of both the “Old World” and the “New World” to symbolize the integration of the new nation, based on both European and Native American ideals.

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The pyramid side is sometimes called the spiritual side of the seal. The pyramid design was chosen as a symbol of duration, a nearly eternal nation and of the West’s ancient heritage, much of which has its roots in Ancient Egypt. It is important to note that people during the Enlightenment Era marking the democratization of the West were heavily involved in speculation upon ancient symbols and histories. This is also the era that birthed the remarkable discipline of archaeology.

The Eye of Providence sits at the pyramids zenith. Historically the All-seeing-Eye motif has been used by countless civilizations on all continents but interested parties who promote the Masonic Dollar theory like to point out that a very similar motif is in fact used by Freemasons today. This is true however; those who promote this theory often fail to recognize that during the Enlightenment the eye motif was used repeatedly by many different artists and organizations unassociated with Freemasonry. It is also often overlooked that the Eye motif had been an element of the design on the Great Seal since the seal was first proposed on August 20th, 1776 and finally adopted by Congress on June 20th 1782. Freemasons did not begin using the all-seeing-eye emblem until 1797 in “The Freemasons Monitor of Thomas Smith Webb” fifteen years after the Great Seal was finalized. In fact it is more likely that Freemasons adopted the motif from the Great Seal rather than the other way around.

The Latin phrase “Annuit Coeptus” means “He has favored our undertakings,” which refers to the founding belief that the success of the American revolution was a matter of divine Providence as can be found written in the Declaration of Independence. The next phrase is another point that conspiracy enthusiast enjoy kicking around like a rusty old tin can, telling themselves it’s actually a football.

“Novus Ordo Seclorum” does not mean “New World Order” as so often incorrectly translated. It means “New Order of the Ages.” It refers to the Founders recognition that they were creating a new order in a new era. They recognized that they had begun an age of reason, logic, and spiritual and practical liberty from dogmatic institutions. The new order was liberty, democracy and republicanism in opposition to the old order of submission to monarchical regimes.

The seal of the United States is a proud symbol of our heritage, our determination and our history. The symbolism reveals that we are one nation of many different people, unlike any other, striving for peace but prepared to go to war to protect each other. We are free and strive for more freedom. Our nation is divinely inspired and protected by God and its legacy will survive for as long have the ancient monuments of the past. The quest for freedom is not a conspiracy. That is the propaganda of tyrants. The quest for freedom is the nature of the human soul and our natural state, eternal and can never be crushed by the illegitimate rule of dictators.

___

* http://www.state.gov/www/publi cations/great_seal.pdf

-http:// masonicinfo.com/eye.htm

-Exiled in the Land of the Free Democracy, Indian Nations and The US Constitution by, Lyons, Mohawk, Deloria Jr., Hauptman, Berman, Grinde Jr., Berkey, Venables

-http://en.wikipedia.o rg/wiki/Age_of_Enlightenment

-The Federalist by Hamilton, Madison and Jay

 

Alexander McGillivray, Emperor of the Creek Nation

Alexander McGillvray, Emperor of the Creek Nation

Alexander McGillivray (1750-1793)

Many great historical chiefs are celebrated in Native American popular culture. The most commonly remembered names include Crazy Horse, Geronimo, Red Cloud, Tecumseh and Chief Joseph. Along with these belongs the 18th century Muscogee Creek chief Alexander McGillivray, a great man who is not as commonly spoken about, but is just as significant to both Native American and United State history as those formerly mentioned.

Alexander McGillivray was the principle chief of the Creek Nation near the end of the 18th century. He was the son of Sehoy Marchand, a French-Creek woman from the powerful Wind Clan. His father was the prominent Scottish trader Lachlan McGillivray who immigrated to Creek country in 1736 from Dunmaglass, Scotland, and spent the majority of his time in Little Tallassee and Otciabofa which was also called Hickory Ground [1] on the Coosa River. This is where Lachlan met Sehoy.

Lachlan secured lands amongst the Creek people near the ruins of the French Fort Toulouse close by Little Tallassee. There, he planted a garden and built a plantation house, naming it the “Apple Grove.” In time Lachlan became a wealthy trader, entrenched and well respected among the Indians.

When Alexander was a young man his father sent him to Charleston, S.C. to be educated in the British tradition. After returning to his home on the Coosa River, Alexander was honored as a chief on the Creek National Council and given the name Hopue-hethlee-Mekko or “Good-Child King.” Shortly thereafter he was commissioned a colonel in the British army and installed as the English Agent to the Indians. He donned the uniform of a British officer, with the headdress of a Creek chief, complete with the white feathers of his rank and led a faction of Creek warriors in the Battle of Pensacola.

Before long, Alexander rose to prominence, becoming the principle chief of the Creek Nation. Being a fan of European history, he preferred to use the term emperor, though his actual power in the nation was severely limited and somewhat tenuous. He was a frequent visitor to and property-owner in Pensacola, FL, negotiating treaties with the Spanish who were the dominant European power in the region. He led Spanish funded attacks on American frontier settlements in Georgia. After the American Revolution, McGillivray was invited to Virginia where he received a paid Generalship from George Washington in the United States army.

An eager capitalist, Alexander McGillivray was also an investor and silent partner in Panton, Leslie and Company who opened a trading post on McGillivray’s property, the first brick and mortar building established in Pensacola, FL. His first wife was Vicey Cornells who bore him two daughters: Peggy and Lizzie. His second wife was Elise Moniac, the sister of the Choctaw chief Red Shoes and they had three children: Margaret, Alleck and Elizabeth.

As a native statesman, McGillivray worked tirelessly throughout his career to create a Creek Nation recognizable and respected by European nations, but still distinctly Creek, distinctly “Indian.” Much like his Cherokee neighbors he succeeded, at least until 1830, when the Indian Removal Act was signed into law by Andrew Jackson, robbing the people of their lands.

In January 1793 McGillivray traveled to Pensacola for a business meeting with William Panton. On the trip he developed a fever and never recovered. On February 17, 1793 at eleven o’clock at night, in the home of William Panton, Alexander McGillivray died. He was buried in the garden of Panton’s house in Pensacola, laid to rest with full Masonic honors [2]. Alexander McGillivray was such a loved and respected leader that he was mourned throughout the lands. His obituary ran in London in the Gentleman’s Magazine.

Feb. 17. At Pensacola, Mr. McGillivray, a Creek chief, very much lamented by those who knew him best. There happened to be that time at Pensacola a numerous band of Creeks, who watched his illness with the most marked anxiety, and when his death was announced to them, and while they followed him to the grave, it is impossible for words to describe the loud screams of real woe which they vented in their unaffected grief. He was, by his father’s side a Scotchman, of the respectable family of Drummaglass, in Invernesshire. The vigor of his mind overcame the disadvantages of an education had in the wilds of America, and he was well acquainted with all the most useful European sciences. In the latter part of his life he composed, with great care, the history of several classes of the original inhabitants of America; and this he intended to present to Professor Robertson, for publication in the next edition of his History. The European and the American writer are no more; and the MMS of the latter, it is feared, have perished, for the Indians adhere to their custom of destroying whatever inanimate objects a dead friend most delighted in. It is only since Mr. McGillivray had influence amongst them, that they have suffered the slaves of a deceased master to live.”[3]

[1] Hickory Ground; a very special town and meeting place within upper Creek Country. Creek; Ocē vpofv, also called Little Tallassee.

[2] It is believed that Alexander McGillivray was the first Mason in the State of Alabama. Some researchers claim that A.M.’s remains were shipped to Scotland and buried on his father Lachlan’s land.

[3] Gentleman’s Magazine, Printed under the caption: Marriages and Deaths of considerable Persons,” August, 1793, Vol. LXIII, London, p. 767

First Fieldwork; the misadventures of an anthropologist

First Fieldwork; the misadventures of an anthropologist by Barbara Gallatin Anderson

First Fieldwork is a first-person account of the author, Barbara Anderson’s experiences and misfortunes as an anthropologist in the field during her graduate thesis.  Although fictionalized, it is a clear testament to the perils of being an anthropologist thrust unprepared into the field.

During her fieldwork studying the effects of urbanization upon a small Danish Island village, Anderson is faced with challenge after challenge to fitting into the regular patterns and expectations of the people.  From the beginning she nearly catches her family’s cottage on fire.  As a means of better adjusting to the community she takes a cooking class, only to quit the course due to a series of embarrassing episodes beginning with a disastrous meatloaf resulting form her mistaking the Danish word for flour for the word for sugar.

I was especially amused by the chapter about the Danish bathhouse in Copenhagen.  A situation like this, without much knowledge of the culture or the language is a perfect example of just how alien one can be even within another Western country.  And just as the bath attendant announced to the other patrons in the pool as Anderson entered; “Here comes an American lady” could just as easily have been the second title for this book, perhaps with “Look out!” preceding it.

Overall First Fieldwork was an entertaining read with insights into fieldwork and the potential problems to be encountered as profound as they are humorous.  The lesson for me was that although fieldwork can include a series of embarrassing and uncomfortable events, it is often those very things that can be of the most value in learning to effectively navigate and describe a culture.

Lojah in Celtic-Folk-Punk

I was covered in Celtic-Folk-Punk at blogspot recently.

Lojah is a Native American-Irish folksinger from Pensacola, Florida. He describes his eclectic sound as Creolized Roots Music, influenced by Caribbean rhythms, Celtic melodies, and Southern American blues. His music is immersed in social realism, and arcane insight woven together with tongue-in-cheek witticism and a festive vibe. He is currently performing acoustic sets along the Gulf Coast.

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Pub Songs on Palafox” is a four song, lo-fi, EP recorded in the raw as a live-air production that captures the energy and sound of a Lojah solo performance as executed while busking downtown in competition with the various sounds of a bustling city street.

 Lojah begins with a rowdy Irish pub tune, “Dicey Reilly“, about a lush of a woman who spends her life crawling from pub to pub; a sailor’s favorite. “The Black Velvet Band” is another classic Irish ballad about infatuation, deceit and injustice which takes us out of the pub and away from the Emerald Isle to a penal colony in Australia. Following up is “Looks Like Jesus“, a rockabilly-blues styled piece and a Lojah original that tells the story illustrating the conflict between despair and ambition, shroud with esoteric imagery, set in the Southern atmosphere he calls home. “Miss Constance” concludes the record, a naughty Caribbean-styled tune about the perils of younger women.


Released 21 June 2013

Jay Moody (Lojah) – guitar, vocals
Recorded at Jinks Music Universe, Pensacola, FL

Sumble: The Origin of Toasting

Toasting is a peculiar custom in Western society.  Nearly everyone who has a drink makes toasts, but few realize that they are taking part in an ancient custom with roots in the old pre-Christian religions of Northern and Western Europe: the Sumble.

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The Sumble is an ancient communion rite that was historically practiced by Germanic and Celtic peoples.  This rite is portrayed in the epic poem Beowulf and other sources of Germanic and Nordic folklore.  Sumble is closely related to the English tradition of Wassailing, popular especially as part of the Yuletide.

The majority of those whom actively participate in Sumble today are religious Heathens, practitioners of the old Germanic and Celtic religions.  They base their rite directly off of the 11th and 12th century Nordic customs as recorded in their respective texts.  In its most basic elements it consists of a gathering into a drinking hall, or a circle, a blessing or consecration is recited over the drink, a libation, and a sharing of the sacrament by the participants from the same vessel.

The sacrament is usually ale or mead, and historically it was served with toast.  This is where the term toast originates, as in drinking a toast.  A series of rounds of toasting take place.  In rites in which the Sumble is the central or sole focus there are typically a minimum of three rounds.  In traditional Heathenry it is standard for the first round to be dedicated to gods, the second round is dedicated to heroes and the third round is dedicated to ancestors.

The leader of the ceremony typically makes the first toast to a patron deity, takes a drink from his drinking horn.  Then, the next person in order makes his toast.  This continues in order until all have had a chance to toast.  Then that round is ended and the second round begins.  After the third round the rite may come to an end or it may continue.

If the Sumble continues any number of themes may be proposed.  Common themes are boasts in which the participants are allowed a chance to tell a tale of their own great successes.  Oaths may be sworn, goals may be professed, and gifts may be exchanged.  Open rounds may also be called in which anything of value may be offered to the community: stories, songs, poems, or prayers.  This may continue to a specified number of rounds, until the sacrament is completely consumed or until the participants have nothing more to contribute.

JJ Smith, the Balladeer

I naturally met JJ Smith at McGuire’s Irish Pub in Pensacola a couple years back.  Kilted in the tartan of the Lamont clan, JJ runs a show that is not just a folk music performance but a bit comedic shtick as well.  His crowd-interactions make for some of the evening’s high points.

JJ’s style stands out from the majority of the singers I’ve met on the Irish pub tour in several ways.  To begin with, his personalized renditions of the classics reveal significant blues, and American country music influences, which bring the Celtic style home to the American South.  Live, JJ makes use of a lot of bass runs on his guitar which often helps to add a subtlety and a sense of motion outside of the songs’ basic chord structures.

JJ_Smith

JJ hails from Stonehaven, near Aberdeen, Scotland, but has resided in St. Petersburg, Florida for the past several years.  While in the States, he has steadily toured the southeast and managed to produce two album releases: Druid Roots Going Home, and his solo album JJ The Balladeer.  They’re both great and very distinct from each other.

Druid Roots was a trio JJ was a part of, a rather eclectic mix of folksy styles.  The album projects a heavy Celtic theme with very noticeable elements of East-Indian drumming, country-western music, and a hint of rock and roll.   My favorite track is Stonehaven Waltz, a traditional sounding Celtic ballad, but the whole album is worth the listen.

The Balladeer contains 15 tracks of excellently produced Celtic ballads.  JJ’s resounding baritone voice coupled with the full and sometimes booming open strings of his guitar create layers of richness within each song.  The songs are mostly mellow, somewhat nostalgic pieces.  The highlights include Galway Shawl (my personal favorite); a cover of the classic U2 hit I Still Haven’t Found what I’m looking For; and Whiskey on a Sunday.

Ishmael, An Adventure of the Mind and Spirit: Book Review

Quinn, Daniel (1992) Ishmael, An Adventure of the Mind and Spirit, New York: Bantam/Turner Books

Daniel Quinn’s award winning novel Ishmael is a compelling exposition of the author’s social and political perspective through the eyes of a gorilla.  The essential theme upon which the book is written is one that lays the blame of all our modern political and environmental perils squarely on the shoulders of the Neolithic agricultural revolution. The author’s reasoning is that agriculture is the beginning of human exploitation of the earth, other species and cultures.  Quinn further asserts that the world’s modern industrial agricultural society is unsustainable and destined to disaster. With these two premises established Quinn’s argument next follows that if the human race and the earth are to survive for much longer, industrial society will have to transform itself into a less exploitative culture. Ishmael­ has inspired an entire cult following of neotribalists desirous of bringing Quinn’s vision of a post-industrial society established on low impact kin based communities to life.

From its very first page Ishmael swiftly moves forward with a sense of purpose and profundity. As the story opens Quinn describes the unnamed narrator’s disgust at reading an ad in the personals section of the newspaper: “TEACHER seeks student. Must have an earnest desire to save the world. Apply in person.” The narrator expresses his sense of disillusionment at this presumptuous author whom he figures is just another charlatan marketing a worn out fashion statement as a social and spiritual revolution. This opening acts as a hook that catches the reader by the sensation of a social revolutionary disillusioned from the experiences of one flaccid effort after another, never truly offering or accomplishing anything substantially alternative to the status quo. Although skeptical of this self-appointed guru, our unnamed narrator still decides to investigate the charlatan he’s sure he’ll meet.  Surprisingly, the guru is not a man at all, but a gorilla named Ishmael capable of deep philosophical thought and communication. The lesson he seeks to impart is an accounting of the collision course upon which he sees the human race and that which he believes is the remedy for it.

gorilla photo: funny gorilla rs037.jpg

The blurring of reality and absurdity is implicit in the author’s narrative bringing to life the remarkably believable character of Ishmael. The author’s deep use of metaphor begins at the title of the book and the gorilla’s name.  Ishmael stands as a representative, a spokesman of sorts for the natural order of the earth, flora and fauna.  While the gorilla had lived in a menagerie he began to became self aware and learned to recognize a certain sound as referring to him; Goliath.  The name is strongly indicative of the manner in which gorillas, great apes, wild animals and the natural world is typically viewed by modern humans; a degraded, threatening, crude philistine to be conquered by our heroic civilization. But when Mr. Sokolow upon encountering the animal announces to him “You are not Goliath,” he is making a profound statement about his rejecting the greater society’s perception of the world.  This statement is further expounded by the name which Mr. Sokolow instead chooses to bestow upon him. Transformed from the image of the hulk which tormented the Israelites Goliath is renamed Ishmael; the disinherited son of Abraham who through no fault of his own was cast out from the Israelite race, deemed as little more than “a wild ass of a man.”

Ishmael explains that all of the modern nations of the world whether England, Russia or China are descendents of these exploitative agriculturalists whom he designates Takers. Takers are acting out a myth that places them at the top of creation as the owners of the earth.  A different myth is being acted out by the few societies who exist in distant tribes and bands still living similarly to the pre-agricultural Mesolithic hunters and gatherers whom he designates Leavers.  Leavers do not see themselves as the masters of the earth, but as part of it. A society is always governed by a mythic theme and the difference between these two myths could not be more different.  The reason Ishmael says that all our social and political revolutions have failed to stop our eventual demise is because they have all failed to reject the Taker myth and simultaneously embrace the Leaver myth.

Ishmael explains that Nazi Germany was the inevitable result of the Taker’s myth being acted out and that this myth is still being acted out through the entire civilized world’s perception of, and behavior toward the natural environment. With the gorilla as instructor we are taught that the human race broke away from a sort of mystical interspecies ecological brotherhood, setting their selves and the world on a collision course to destruction by setting themselves up as gods who know the difference between good and evil, with the power to decide who should live and who should die.  Ishmael, the gorilla even uses the Genesis creation story as an example of a misinterpreted and incorrectly practiced narrative that has served to misalign the human race with the earth. The biblical fall in the garden, according to our gorilla mentor is really a story by which our pre-agricultural pastoralist contemporaries illustrated this severing from the natural order.  Once humans settled down and cultivated enough food to support a growing population they became warlike and expansive.

While generally well thought out and reasonable in his approach, there are several points in Ishmael’s interpretation of events that must be questioned.  He characterizes the farmers as the culture that victimizes the herding people’s and extinguishes all the other species, including the predators in their environment while completely exonerating herders for the destruction they also cause in the world.  Many forests have also been destroyed in order to create pasture land to feed the herds.  And there is after all a reason western folklore has always depicted the wolf as the antagonist of the shepherd.  Aside from this and a few other bits of artistic license taken by the author, Ishmael is a engaging book that stimulates deep reflection on our relationship with the earth now and throughout history.  To describe the course of our eventual demise Ishmael uses the image of a primitive, non-aerodynamic plane on its test flight plummeting toward the earth while the pilot looks down at the ground rushing up at him and says “well, it’s gotten me this far, no sense abandoning it now.”

Though classified as a novel, the majority of Ishmael takes the form of a dialogue between the unnamed narrator and the gorilla guru.  The message Ishmael hopes to impart to the world is that the human race’s only hope in continuing to survive lies in rejecting the myth of the Takers and embracing the myth of the Leavers.  The novel ends on somber tone, but one that imparts a motivating hopefulness and a sense of urgency.  Ishmael is an excellent book which should be read by everyone looking for real alternatives to the modern political and ecological turmoil engulfing the world.  We’re an inventive species.  It’s time to invent.

Music, Culture and Modern Critiques

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