Tag Archives: painting

Easter Rising, Easter Lily

As Easter week draws to a close I thought I’d write a little bit about my most recent painting “Easter Rising.”

www.Lojah.com

The Easter Lily is a calla lily, adopted by Irish republicans symbolically to commemorate the revolutionary combatants who died as a part of the 1916 Easter Rising.  It is traditionally worn at Easter time.  It is also used by various factions of Irish republicanism to commemorate the deaths of their soldiers and activists.

 

Easter Rising

On Easter Monday, April1 24, 1916 Irish revolutionaries took up arms against British rule in Ireland, seeking to establish an independent Irish republic.  The majority of the conflict took place in Dublin, planned and led by seven members of the Irish Republican Brotherhood Military Council.

Patrick Pearse, a schoolmaster and Irish language activist led the Irish Volunteers.  He was supported by the Irish Citizen Army led by James Connolly, and 200 women from Cumann na mBan – the Irish Women’s Council.  They seized key points in Dublin, making the General Post Office the headquarters of the uprising where they delivered the Proclamation of the Irish Republic claiming independence from Britain and the establishment of an Irish Republic.

The following day the British authorities declared martial law, and deployed thousands of reinforcements to suppress the uprising.  The streets of Dublin were in open warfare that lasted for six days.  The Irish revolutionaries put up a tough resistance and the fighting was fierce.  Frustrated British troops began engaging in war crimes against Irish civilians.

The Portobello Killings

On Tuesday, April 25 British soldiers took the pacifist activist Francis Sheehy-Skeffington hostage and used him as a human shield.  They blew up a tobacco store and captured Labour Party councilor Richard O’Carroll, two journalists Thomas Dickison and Patrick MacIntyre , and the young boy James Coade.  They executed all the captives and secretly buried them in Portobello Barracks.

The North King Street Massacre

North King Street was the scene of some of the heaviest combat between Irish and British soldiers.  On Saturday, April 29th after British soldiers succeeded in overrunning a well barricaded rebel post, they broke into the homes of noncombatant civilians and shot and bayoneted them, killing 15 men.  The soldiers then pilfered the bodies and secretly buried them in backyards and cellars.

           

There were numerous other civilian casualties suffered as a result of the British assault amounting to more than half the loss of life during the uprising.  British forces eventually surrounded the Irish factions and bombarded them into submission, laying waste to vast areas of the city.  Between the superior military strength of the British Army and the fear that more innocent civilians would be killed, Patrick Pearse ordered an unconditional surrender on Saturday, April 29.

In the aftermath the British arrested 3,500 Irish, sending almost 2,000 of them to prison camps.  The leadership of the rebellion was executed by firing squad at Kilmainham Gaol between May 3 and 12.

Even though it was technically a failure the Easter Rising succeeded in inspiring hope in an independent Ireland.  The British response to it caused a strong negative reaction in the Irish population and a wave of support for Irish independence swept across the island.  By 1919 the Irish War of Independence broke out and lead to the Anglo-Irish Treaty and the establishment of the Irish Free State.  The technical defeat resulted in the Independent Ireland it had sought to achieve.

In 1926 during the tenth year anniversary of the Easter Rising the Irish Women’s Council introduced the calla lily as a badge sold outside of Catholic churches to be worn on Easter Sunday in commemoration of the uprising and to raise relief money for the families of Irish political prisoners.  To this day it is still a symbol of Irish identity and remembrance.

Many songs have been written in commemoration of the 1916 Easter Rising.  One of the most well known and perhaps the unarguable official song of remembrance of the rising is “Foggy Dew,” written by Father Canon O’Neill.

https://www.youtube.com/watch?v=A9MRbek0JXk


I Started Painting: My Four Turtles

I recently started painting. As a creative person I’ve dabbled in and experimented with several different media over the years. Along with performing arts, I’ve drawn and sketched avidly throughout most of my life and I’ve always wanted to try my hand at painting, a serious attempt far more than dabbling, but I never knew where to start and was always too busy with other pursuits to really explore this particular medium.

Well, over the past year my life has changed in some pretty fundamental ways and I found myself at a point where I could finally focus on new pursuits. At first I wasn’t even sure what to paint. I knew that if I got any good at it I would probably paint similar things to the drawings I’ve done, full of traditional Native, historic, and arcane symbolism, heavily influenced by the natural universe, and mythology.

I did some minimal research on the subject and gathered some basic supplies to get started.

In the time I was taking to make up my mind I found an Eastern box turtle drowning in a small fish pond and rescued it. It was the same species that Creek (Muscogee) women use to make their shell shakers in the Southern states. The first night I kept him in a laundry basket before I eventually released him back into the woods behind my house. That night it dawned on me that the turtle was the perfect first painting to make.

I came up in the Muscogee Creek tradition and in this tradition the Earth was created by the turtle. The turtle is the fundamental image of creation – the perfect symbol for art; and of beginnings – the perfect symbol for a new venture. And she is the perfect symbol to respect my heritage in which my life and creative pursuits tend to be grounded. I have worked for years under the name Lojah, anglicized from Loca which is the Muskogee word for turtle. As an enrolled member of the Cheroenhaka-Nottoway Tribe, my family belongs to the Turtle Clan,* so it all came together quite nicely. The Turtle would be my first painting. I opted for a traditional Native styled design that has been important to me for years with a medicine wheel on its back to represent the four directions similar to the images found throughout prehistoric and contemporary North American iconography.

So with no instruction, a few meager supplies and a whole lot of inspiration I put paint to canvass and created this.

#1 Buckskin Turtle

Turtle 1I decided to start with a general background, something just to contrast with the turtle image. I mixed up a sort of amber colored yellow and painted the background. Then I laid the turtle down. I found the medium perplexing and unfamiliar so the brushstrokes are pretty obvious in places and the color isn’t as even as I intended for it to be, but overall I was pretty satisfied for my first attempt. I later realized that the background color resembles tanned deerskin and named it Buckskin Turtle.

Naturally, my mother loved it and put in a request for one like it. It took me a little while before I got around to painting another one and by that time I wanted to make one for my sister too. I found my inspiration again and began painting.

        

 

#2 Space Turtle

Turtle 2I decided to paint another turtle for its meaning to my family and to perfect the techniques necessary to paint something I expect to become a regular staple in my catalog. I decided that it needed a more dynamic background. Since the turtle represents the earth. I figured she should be represented in space kind of like a planet. The fact that I recently watched Star Wars Episode VII, the Force Awakens is purely coincidental. This second painting took a little more time than the first one, and I experimented a little bit more with techniques like layering and scumbling. This one has more breadth and depth than #1, and I was really pleased with the results.

 

#3 Water Turtle

Turtle 3While painting Space Turtle I realized that I should do the next one on water, since the Creek Creation Story describes the turtle living in a world of water. I investigated techniques for painting water and experimented with the “z shape.” The water’s surface didn’t turn out quite like I had hoped, but the turtle was the best one yet. By the time I got into this painting I could tell that I was more comfortable with the medium. The colors are more distinct and smoother especially in the turtle. This one became my favorite pretty quickly.

While painting Water Turtle I had a realization that before I painted anything else I should paint a fourth Turtle. Four is a special number to most Native American traditions and since I had already established that I was beginning this new trade upon a traditional foundation, I decided that I should complete the circle I had begun.

 

#4 Sky Turtle

Turtle 4I painted this turtle on a sky background to represent the idea of the turtle as earth in a terrestrial atmosphere. My youngest daughter, Hailey says he’s flying.  In my opinion this is by far the best one of the four. I was a lot more comfortable working with the paints, and I felt freer to let go of some of the rigidity I had in working on the previous paintings.

 

These are my first four paintings. I plan to make a lot more, but I promise my next one won’t be a turtle.

* Being of mixed Native American heritage and active in both communities I am a part of the Muskogee Creek Panther Clan as well as the Turtle Clan of the Cheroenhaka-Nottoway nation.