Books, Media, Music, Profiles

Kurt Cobain’s Journals Reveal a Man Worthy of No Admiration

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Kurt Cobain, the front man of the groundbreaking 1990s Seattle grunge band Nirvana has been considered the “spokesman for a generation” though his fame only lasted for roughly two and a half years before his inevitable 1994 suicide. His music was revolutionary and his fashion quickly became imitated by the mainstream, but Cobain was far from worthy of adulation. He was an extremely troubled person. He was depressed and angry, narcissistic, hateful, antisocial, poorly educated, hypocritical and self destructive with a major drug addiction, but a knack for writing catchy tunes.

I’ve always liked Nirvana’s music, but I’ve never cared much for Cobain as a person. I did eventually acquire all five Nirvana albums, but I have never worn their t-shirt. I say this to illustrate that I’m not just some Nirvana hater. I can separate the man from the music, and this article is about the man as he chose to present himself, his thoughts, ideas and values in his own words. I just don’t think there is much to admire about Kurt Cobain outside of his musical success. That was my opinion at the height of his fame, and after reading his “Journals,” published in 2002, that opinion wasn’t changed. It simply provided more evidence and details to confirm my earliest thoughts.

The Positive

I’ll begin with a positive note regarding what was admirable about Cobain. He was driven and he did seem to have a plan which he followed unwaveringly to eventual commercial success. He did what a lot of musicians and bands don’t do but should; he wrote out his vision for Nirvana. He crafted his business mission statement as it was – he thought out his distinct musical identity, his image and the values he wanted to project. He clearly identified his influences and what he wanted to influence his music. He wrote out steps and tactics in his journals. He thought about distribution, exposure, and reaching fans in an era before the internet made this much easier. He didn’t just do this once; as time went by he revisited and revised his plan as he figured out more about his tastes, styles and abilities instead of just drifting aimlessly in a chaotic musical landscape. Sadly, however this one paragraph is all that I found admirable in Cobain’s journals. The rest of his character was tragically flawed, and ventured into dark and evil places.

Obsessed with Grief

The most noticeable character trait displayed in Cobain’s journals is his overwhelming obsession with grief. His early preoccupation with suicide is evident by page 5, written no later than 1989, exclaiming “kill yourself,” a sentiment that is repeated multiple times throughout the Journals. He was fixated on everything “bad” to the point it seems he had no room left in him for joy. He hated everything. He hated himself. He was ashamed to be white, ashamed to be male, and ashamed to be American. I think this grief and self-hatred is the root of all his many other issues. When a person hates himself it leads to an inability to enjoy anything. It leads to nihilism, self abuse and eventually if left untreated to complete self destruction. Kurt Cobain eventually became dark, uninspired, and hopeless.

Obsessed with Division

Cobain was obsessed with creating division in the world. Though he portrayed himself as an advocate for love, tolerance and inclusion, it’s obvious he thrived on strife and division. He was especially preoccupied with creating division between the generations. This seems to originate from his personal issues with his own parents and upbringing. He wasn’t satisfied with his own sense of isolation; he wanted everyone else to feel that isolation too. He hated his parents therefore everyone of his generation should also hate their parents. Misery loves company.

Rape Fetish

Cobain was obsessed with rape, conflating it with traditional masculine sexuality to which he claimed to be opposed. He mentions rape repeatedly. He even imagines himself as a rapist, and writes about a time in high school when he tried to take advantage of a young girl who was considered “retarded,” though supposedly undiagnosed. At a later point he decided it was Nirvana’s job to “teach boys not to rape.” Apparently his method was to write songs like “Polly” and “Rape Me” that are so ineffectual they sound as if they are romanticizing rape. He later acted perplexed when listeners didn’t comprehend these were supposedly “anti-rape” songs.

Between pages 90 and 95 Cobain wrote the most bizarre part of his journals, a story about a fictional serial murderer, rapist a child molester he named Chuck Taylor. Apparently Chuck became this monster due to his father’s influence. It includes a very graphic scene in which Chuck is forced to watch as his father beats, rapes and sodomizes his mother while extolling the virtues of being a “man” and abusing women. In another entry (pg 109) he says he likes to make incisions on an infants’ stomach and then “fuck the incision until the child dies.” It’s another peek into Kurt Cobain’s grotesque dysfunction.

I got the sense that Cobain had a rape and murder fetish that haunted him, contributing to his self-hatred. He related this to himself “as a man,” and projected that upon the idea of masculinity. Since he saw “right wingers” as representing traditional masculinity he could project his sickness and self-hatred onto them as an “other” thereby gaining a false sense of virtue and self-righteousness for hating them instead of addressing his own demons.

Hypocrisy, Self-delusion and Terrorist Advocacy

Hypocrisy was another of Kurt Cobain’s worst traits. In multiple entries, Cobain says that to him “punk rock means freedom.” It’s another recurring thought in his journals. This would seem to be a motive for his hatred for “right-wingers,” because he saw them as trying to restrict his freedoms through pro-life and other religiously based legislation. But he wasn’t very considerate of other people who chose to live in a manner in which he disapproved.

There are multiple entries in which Cobain expressly advocates for and glorifies Left-wing terrorism. Amongst the many examples of people Cobain said he wanted to kill, he wrote a disturbing passage describing how he wanted to go through high schools and put guns to the heads of popular kids and force them to renounced their “gluttonous” lifestyle or be killed (132). He didn’t write this as a frustrated teenager. He was a grown man well into his twenties expressing a desire to murder kids who simply used their freedom to make different choices than he made. Here, Kurt Cobain’s reoccurring hypocrisy is on full display in one of the most disgusting of ways.

Cobain’s writings also show a strange obsession with the KKK and outlandish caricatures of “right wingers” and misogynists. He really was a product of the west-coast’s socio-political atmosphere and ideology which helped warp him into someone who seemed to be barely clinging to his humanity.

Cobain’s self-delusion is most evident when he wrote about his place in the music industry. Of course he wanted to be successful as a musician, but he felt guilty for that so he tried to rationalize his ambition to fit his radical ideology. Rather than honestly admitting he was desirous of fame and fortune, he instead tried to portray his major-label aspirations as some form of punk-rock Trojan horse strategy. He liked to say he was working on the inside to “rot” and destroy the industry, while in reality he was sitting as the cherry on top of Geffen Records, raking in all that gluttonous money he wanted to shoot children for enjoying.

He liked to pretend that he was in polar opposition to the rockstar excesses of the 1980s, but that was really just his form of gluttonous stardom. He wasn’t the wild, pussy slaying, private jet flying party animal. Instead he portrayed himself as the neopunk rock star; prepackaged rebellion, and feigned social consciousness. He knew he was playing a role that didn’t align with his real identity, and he felt pressured by the image he constructed of himself. That kind of cognitive dissonance must certainly be hard to live with.


Lack of Depth

There was a common misconception in the 1990’s that Cobain’s lyrics were mystical script of otherworldly genius that had to be decoded in order to truly perceive their great depth. I never bought it. While I could enjoy the energy of his music, I always thought his lyrics were haphazardly written, sloppily thrown together into a reckless word-salad. In his journals and other interviews he clearly reveals that his lyrics were quite often retched out at the last minute or adlibbed onstage until something stuck. He was frustrated by people who tried to analyze his lyrics because he knew there was nothing there worth analyzing. Cobain’s lyrics seem disjointed and jumbled because they are disjointed and jumbled. He mumbled and slurred a lot of his words because it really doesn’t matter if you understand them. Don’t look for depth and insight in Cobain’s lyrics because there is none.

He Loved His Ignorance

One of the more disappointing aspects of Cobain’s personality is that he preferred to remain ignorant. He mentions repetitively that he is not particularly well educated, and the grammar, and spelling throughout his journals is evidence enough of this. He wrote “I purposefully keep myself naïve and away from earthly information because it’s the only way to avoid a jaded attitude” (pg 125). That’s just dumb. Cobain liked to have strong opinions that resulted in a radical ideology and violent attitude, but didn’t want to actually have the knowledge by which to evaluate those ideas. He preferred to keep his miseducated opinions that fueled his desire to murder children because it made him feel good. Kurt Cobain was an idiot.

To go along with his multiple displays of ignorance and irrationality, Cobain liked to disparage musicians who actually bothered to learn music. He specifically ridiculed Eric Clapton who not only helped to forge modern rock and roll, but also managed to survive the test of time even while battling the same vices (heroin) that Cobain was too weak to overcome. Cobain regurgitated the same clichéd wannabe punk rock jargon that music theory is “bullshit.” The irony seems lost on him when he also complains about not being a very prolific songwriter. He never made the connection that music theory gives a person more tools to work with to create more original music instead of rewriting the same song over and over again while feeling like a fraud. Cobain’s inability to write new, significant music after “In Utero” contributed to his final mental breakdown and eventual suicide. It’s an example of how Cobain consistently made decisions and embraced attitudes that lead him steadily down a path of self-destruction.

To his credit, I suppose, Cobain knew all this about himself and through all his ignorance, hypocrisy, self-deception, delusions and his antisocial personality he freely admitted it. He told us as much in his lyrics.

“I’m a negative creep”
“I’m a liar and a thief”
“I think I’m dumb”
“I hate myself and I want to die.”

Rooted in self-hatred, fear, ignorance, left wing politics and drugs every decision he made was another step toward his early suicide.

Maya Angelou said “When someone shows you who they are believe them; the first time.” Kurt Cobain showed us time and time over again. There is nothing there to be admired.


Books, Music, Profiles, Uncategorized

Keith Richards: Life, a Candid Autobiography

Keith Richards’ 2010 autobiography Life is a solid exposé and memoir on the life lived by the Rolling Stones guitarist. Weighing in at 547 pages of narrative, it’s clear that the Rock and Roll Hall of Famer intends for the reader to come away with a full picture of himself, not just as a founding member of one of the greatest rock bands in history, but as an individual apart from that legend.

The autobiography kicks off with a scandalous story from the road of when Keith and Stones’ rhythm guitarist Ronnie Wood were arrested with a number of illegal substances in Fordyce, Arkansas in 1975. It’s one of the more exciting stories in the book and it sets the tone for numerous tales of drugs and legal issues to follow it.

After that, Life immediately shifts to Keith’s childhood, adolescence until he meets and begins playing music with Mick Jagger (p. 77). This was the hardest part of the book for me to get through. It seemed overburdened with trivial details about Keith Richards the child. While some meaningful events and information is relayed her such as his initial introduction to music and guitar a lot of it seemed unnecessary, but then it is the story of his life, not just of his adult music career.

This makes for an autobiography that is well balanced between the author’s personal life and ideas and his superstar music career. It’s not written in a manner that tries to glorify the rock and roll lifestyle or to revel in fame, but it doesn’t shy away from it or wrap itself in false humility. Keith opens up and tells us quite a lot of personal information about himself, his origins, his philosophies, his loves, his strengths, and his weaknesses. He writes intently on the subject of music and how he came to it with passion, the origins or the Rolling Stones, his often adversarial friendship with lead singer Mick Jagger, his addiction, resulting arrests and subsequent rehabilitation.

The book is chocked full of stories and candid details. Some of the points I liked the most include the following.


The Rolling Stones didn’t write their first song until 1963 when their manager Andrew Loog Oldham locked Keith and Mick in a kitchen together in Willesden and told them to “come up with a song.” Before that, Keith thought songwriting was someone else’s job. This is easy enough to understand since up until this time in music history it was very common for the songwriters to be different people from the performers. Truthfully before the Beatles made it fashionable popular bands rarely composed any of their own music.

Keith makes it quite clear that there was never any rivalry between the Rolling Stones and the Beatles, or between any of their respective members. They were friends. Keith refers to the two bands as being a “mutual-admiration society.” He even says that they would call each other up and plan their single releases so to not compete with each other (pg 141). Any amount of rivalry that may have seemed to exist was nothing more than media hype.

As mentioned above, Keith speaks very candidly about his drug addiction. Early on in his life, Keith experimented with recreational drugs, alcohol and cannabis. He was introduced to amphetamines while on tour in the US with R&B acts including Little Richard and Bo Diddly. He talks a bit about LSD in the 60s and a particular three-day trip he took with John Lennon which was so significant that neither of them could quite remember what all had happened. His terrible addiction to heroin however came about in a far less cavalier manner. It happened the same way it seems to happen with the opiate epidemic plaguing the US today; from an injury and overmedication. He was in a car wreck and afterward was in such pain, having a nurse come to clean his wounds everyday that he was prescribed morphine. After several weeks on the drug he became hooked. When the doctor took him off the medication he had severe withdrawals which he treated with underground opiates and eventually heroin which he continues using for the next several years.

I really love that Keith talks about his experiences with Reggae and Rastafarians in Jamaica where he lived for some time. He speaks very highly of the culture, philosophy and most especially the music of the Rastas he became friends with, and how that was a major influence on him and helped him get his head straight from years of excess.

If gleaned properly there is probably a solid handbook’s worth of advice and information on beginning in music, theories on how to approach playing guitar, songwriting, performing live, recording and band dynamics. Keith doesn’t come across with any rock star pretentiousness to speak of. He does get a little preachy and high minded at points, but otherwise stays well-grounded even when telling tales of times when Keith was anything but grounded.

Life is a thorough trek through the years of Keith Richard’s history. It’s sometimes a little wordy, a bit snide, and long. It isn’t always a page turner, but it does hold a reader’s attention fairly well and it delivers all the juicy, candid details a fan of the Rolling Stones, or just rock and roll history will enjoy.


Movies/TV Shows, Uncategorized

Joker; Best Movie of 2019

The Joker is possibly the most iconic comic book villain of all time. He has been played five times now in live-action television and film since 1966, each interpretation improving upon the previous rendition until that unfortunate thing Jared Leto did in 2016. I was a little apprehensive about a live action Joker origin movie because DC universe flicks have been unimpressive over the past few years and casting has been a major part of the problem. But with Joaquin Phoenix reprising the role, all concerns can be laid to rest. Joker is its own movie not to be conflated with other recent DCU film adaptations, and fortunately it shows.

[WARNING: SPOILERS AHEAD]

As the film opens, it’s 1981. Arthur Fleck is sitting in front of a mirror putting on his clown makeup. He’s one of a half-dozen rent-a-clowns shown working for the Haha company to be farmed out for meager gigs. A broadcaster can be heard on the radio reporting the dismal state of Gotham City and the overflow of litter in the streets. Arthur is a sad case, trying to force a smile in the mirror, bewildered by his own misery.

Phoenix gets lost in the character of Arthur, bringing him to life. He’s a proto-Joker based loosely off the Batman: The Killing Joke graphic novel, but more pathetic. He’s a tragic character going through a sad transformation. He lives with his mom in a rundown urban apartment building. He doesn’t have a girlfriend, or any friends to speak of and he never gets any mail. It seems he may as well not even exist. But he does exist and he has to live with himself every day.


Arthur has an unspecified mental disorder causing him to have inappropriate and excessive emotional reactions. He has been seeking treatment from a publicly funded therapist, and even she is little more than a detached bureaucrat just putting in the time but not the effort to see Arthur’s individuality or pay attention to him. A couple scenes later we learn that the City of Gotham is pulling funding for the service and Arthur is going to lose access to his seven different medications. Arthur feels abandoned, rejected. The realization he’s coming to is communicated without sacrificing anything for poetry when his therapist exclaims “they don’t give a shit about people like you.”

Arthur is bullied and ostracized, and he’s not socially or psychologically equipped to deal with his challenges. He is faced with so little respect or empathy that even when he is assaulted and mugged on the street by a roving gang of teens who steal and destroy the sign he was hired to wave, his boss holds him responsible for the loss. When his coworker Randall pushes him to take a gun for protection he feebly tries to refuse and then winds up dropping it at another gig resulting in his being fired. Randall lies to the boss saying Arthur had pressured him for a gun.

Arthur is trying to function in the world, but he just can’t seem to make it work. Being a fan of comedy, he tries his hand at standup only to bomb miserably and to become the object of public mockery when a clip of his performance is played on the Murray Franklin Show, a late night television talk show hosted by a comedian (Robert De Nero) Arthur has admired for years.

When Arthur is assaulted again on the subway by three “wall street guys” and this time pulls out the revolver and blows two of them away it’s a bit sympathetic. After all, the only people he’s harmed so far were handled in self-defense. Then he pursues the third culprit into the station, and shoots him in the back. This is the moment the Joker begins to emerge as Arthur is shortly afterward seen dancing joyfully in celebration. Even he is surprised how easily killing comes to him without any remorse. Over the course of the movie Arthur descends further into violet retribution against the people he perceives have wronged him.

Arthur kills his mother when he discovers that she has lied to him about his father, and his past, and allowed him to be abused as a child by one of her lovers. He later kills Randall for lying about him. Then when he is invited on the Murray Franklin Show to talk about the clip of his embarrassing performance at the comedy club he chooses this moment to reveal himself to the world as Joker. He confesses his murders on the air and makes an impassioned speech about the world’s injustice, and how rich, out of touch elites like Murray Franklin are the problem just before shooting the host in the head, killing him.

Joker is about a man that an increasingly dysfunctional society not only has no use for, but openly disdains. He has a very tenuous grasp on reality, is unable to function or communicate effectively and he is floundering in a state of failure with no one to lean on for support. Media ridicules his genuine attempts to succeed and be accepted while news headlines sensationalize the murderous clown on the loose causing protesters against Gotham’s elite to adopt clown masks the way Guy Fawkes masks have been adopted in the modern world. It doesn’t take long for Arthur’s fragile mind to see where his recognition and validation will more easily be found.

I love that Todd Phillips dispensed with the classic story of Joker’s origin as a villain falling into a vat of chemicals and emerging with green hair, white skin and red lips, and instead chose a story of a troubled man working as a clown, struggling as a comedian who descends into murder and crime. Even as a child I’ve always found the chemical origin silly. This idea that Joker was a professional clown before his criminal career makes a more believable story with more depth to the character. This could really happen. Initially I was less than enthusiastic about the makeup rendering a distinctly classic clown appearance complete with a red nose instead of just resembling a clown as Joker has always been portrayed, but as the character develops this look quickly becomes the face of Joker.

Unlike a lot of superhero universe movies, Joker didn’t require a lot of special effects or CGI to keep it interesting. There were no muscle-bound heroes dominating the screen. In fact it was the complete opposite. Phoenix plays a scrawny, sickly looking character, having lost a remarkable 52 pounds for the role.

Joker is darker than most comic book movies, but the Batman universe usually is. It alternates between gloomy, funny, and tense, providing a range of emotional experience manipulating your perceptions along the way. Sometimes we’re not quite sure who the good guys are and who the bad guys are, just like Joker himself, and we share in his insanity during the show. It seems a fair amount of the story may be nothing more than Arthur’s delusion anyway. We can never be too certain what reality actually is.

Now to the big question that every fan will be talking about; where does Phoenix rank up next to the other live action Jokers? The truth is for me it’s hard to say. The movie is about Arthur Fleck who over the length of the story becomes the Joker. The actual Joker gets very little screen time, and we never get to see the fully developed criminal mastermind that the Joker is known to be. It’s difficult to compare this Joker to the screen time of Ledger’s or Nicholson’s Joker. The character of Arthur Fleck becoming the Joker is however performed amazingly, and the few minutes we get to see the Joker realized is full of promise. I would bet if a sequel is produced Phoenix would give Ledger a run for his money.

To put it simply for me, Joker is the best film of 2019, and one of the best superhero universe films ever.


Irish/Celtic, Music, Uncategorized

The Guinness Brothers; All for the Craic

The internationally touring Irish musical duo The Guinness Brothers have been spreading the craic* from pub to pub and festival to festival over two continents for the past seven years. Consisting of Colm Kelly on vocals, guitar, and harmonica, and Roddy Carreira on vocals, mandolin, banjo, and occasional percussion, The Guinness Brothers really are the life of the party.

Based out of Albufeira, Portugal (though Colm originally hails from Kildare, Ireland), they are consistent performers at Irish Pubs, weddings and events at a nearly non-stop pace throughout Europe and the United States.

I naturally met Colm on his first trip to Pensacola as a performer at McGuire’s Irish Pub. Sometime later Roddy came along with him and brought the full Guinness Brothers experience to McGuire’s. One of the most immediately noticeable features of a Guinness Brothers show, as well as a Colm Kelly solo performance is that Colm has a natural gift for working a room and amping up a crowd. With Roddy beside him, they create a power team of sarcasm and debauchery that will have any festival ground, reception hall, or bar entertained and actively involved with all the antics they bring with them.




A Guinness Brothers show is more than a musical performance; it really is a party. The boys don’t want the audience just sitting and listening as each songs fritters by, but instead in the age-old Irish tradition they want you to be a part of the show, to interact, dance, sing, shout out responses and play along for the fun, or the “craic” as is said in Ireland.

Their sets include a wide variety of musical styles from Irish Traditionals, pop, rock, country and more, all of it delivered in the distinct high energy fashion that is a staple of a Guinness Brothers show. On top of all that, the boys are also known to boldly take requests from the audience. Even if they haven’t rehearsed the requested tune before, they’re likely to give it a shot anyway, and fake their way through it, all for the craic. It’s a bit of game to them, a challenge to which they’re eager to rise.

Speaking of games, as an audience member you might find yourself drafted into any number of games such as “left-hand drinking” during which the audience is only allowed to drink with their left hand. If someone is caught drinking with their right hand they’ll be called out, asked to stand up and down their drink all in one. This becomes a lot of fun as the audience begins to call each other out as the night goes on, and of course all for the craic.

In 2019 The Guinness Brothers released a live album appropriately titled Live Craic, a twelve song set including Irish favorites such as Whiskey in the Jar, The Wild Rover, and Rocky Road to Dublin as well as classic rock and popular covers like Folsom Prison Blues, Thunderstruck and Take On Me, with a half dozen more.

The album does a great job at capturing the spirit and the vibe the duo produces with Colm’s signature fast, percussive acoustic guitar rhythms and Roddy’s bright and lighthearted mandolin standing out ontop of the mix. Their rendition of The Wild Rover especially gives a sense of the back and forth banter the two are known for engaging in between and even during songs.

Their interpretation of the traditional reel The Moving Cloud is particularly demonstrative of Roddy’s proficiency with playing Celtic melodies. That and his dynamite mandolin lead on Whiskey in the Jar really helps to ground the disk’s versatile song selection in the Irish musical tradition from which the duo emerges.

While Live Craic is a good listen its only drawback is that you don’t get the full experience of all the antics of a Guinness Brothers live show. How could it? So, the only way to rectify this is to download this album now and make sure you catch the Guinness Brothers live at one of the various venues in which they perform throughout Europe and the United States.


* In case you haven’t figured it out by now, “craic” is a traditional Irish word for fun, joviality, or living comedy. It’s derives front the same root from which we Americans get the idea of “cracking jokes.”


Irish/Celtic, Media, Music, Uncategorized

I Was Featured in London Celtic Punks Web-Zine

The London Celtic Punks are an informal club based out of London, dedicated to the promotion of Celtic-Punk music.

Recently the editors of their web-zine found my Pub Songs on Palafox ep, seemed to like it and decided to write me up a little review.

Go on over there and read it!





Anthropology, Holidays, Movies/TV Shows, Religion & Spirituality, Uncategorized

Friday the 13th and the Ghost in My Backseat

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Paraskevidekatriaphobia is the fear of Friday the 13th, and this evening, I had my weird Friday the 13th experience.

I was on my way home from dropping off my daughter at her school dance. As I was turning a corner I saw for a brief flash in my rearview mirror the image of a ghastly woman as if she was sitting in my back seat. She had a sort of bluish illumination with two dark eyes with blackened mascara-like smears running down her face. Nothing too original, but it did cause me a split second’s release of adrenaline. The best part is that I know exactly what I saw and why.

Yeah, kinda like that!

For uncertain reasons in the Western world and especially the United States when the 13th of the month falls on a Friday it is believed to be an unlucky day.

I grew up with this superstition and believed in it to whatever degree young children can believe in anything they have no ability to understand and no reason to believe other than the influence of their peers. The fact that I was a very young child at the beginnings of the extremely successful Friday the 13th movie franchise has shaded my view of the event in a particular light for me.

I’m not unique in this, these days Americans particularly see Friday the 13th as a scary and dark day, a sort of reverse holiday similar to Halloween without the costumes or trick-or-treating. It comes with its own myths and urban legends. Much like the Santa Claus at Christmas of the Easter Bunny in spring, the murderous hockey mask clad and machete wielding zombie Jason Vorheese from the Friday the 13th movies is and for a long time to come will be in the future attached to this spooky unholiday. This really is a testament more to the quality of the marketing of the franchise than the quality of the movies themselves that even as I child I found to be more funny than frightening, but I still love them. Jason lives in mythology alongside classic legendary supernatural evils like the Headless Horseman, Dracula, or Frankenstein.

There’s a fair amount of speculation regarding the origin of the Friday the 13th superstition, but no one really knows for sure. The number 13 has been considered an unlucky number for hundreds of years. This is so prevalent that most hotels do not even host a 13th floor. The numbers on an elevator will often go straight from 12 to 14 because many people are afraid to rent a room on the 13th floor. It might seem crazy, but it’s true.

The superstition of 13 being bad luck seems to have arisen during the middle ages and is assumed to have come from the story of the arrest of Jesus after the Last Supper when He and His twelve apostles were present equaling thirteen.  Similarly, the fact Jesus was crucified on the following day; Friday made that day a particularly infamous part of the week, one which Catholics and Orthodox Christians still consider a day of fasting. These two beliefs combined seem to be the origin of the superstition; two unlucky points occurring at once although the origins of Friday the 13th being especially unlucky didn’t seem to arise until the 19th century.

In the 20th century authors such as Maurice Druon in his novel Le Roi de fer (1955), and John J. Robinson in his book Born in Blood: The Lost Secrets of Freemasonry (1989) postulated a connection between this superstition and the day on which the Knights Templar were arrested on charges of heresy by King Philip the IV of France, Friday the 13th of October 1307. This was echoed in Dan Brown’s The Da Vinci Code (2003), and other books, memes and papers since then. Although this is one of my favorite hypotheses, the evidence to support this being the origin of the superstition is dubious at best. It’s more likely a combination of reasons.


In my car, as quickly as the ghastly woman had appeared in my rearview mirror she was gone, but I could still see the impression of her eyes. They were spots of dirt with what appeared to be smeared finger print running down the glass. As I was turning the corner the setting sun passed directly behind me for just a brief moment. The sun’s rays reflected off of the mirror in a manner framing the fingerprints in a glow and accentuating the smudges. Then my lizard brain took over and assembled this into an image I could make sense out of based on the fact I’ve been thinking about Friday the 13th and creepy stuff all day. When my daughter gets home from her dance we plan on watching some scary movies.

Human psychology is such a fascinating subject.


Anthropology, Uncategorized

St. Anne’s Roundup; Memories of Pensacola’s Finest Festival

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This time of year I can’t help but feel nostalgic for one of Pensacola’s lost legacies, St. Anne’s Roundup.

St. Anne’s is a Catholic Church on Pensacola’s west side, and for forty years it hosted the western themed Roundup, one of the most beloved and popular festivals Pensacola ever produced. It was such a popular event that in 1992 over 200,000 people attended and it was simply amazing. It’s easy to find Pensacolians 25 years of age and older who have quite fond memories of the Roundup.

It all began in May of 1964 when Father John A. Lacari held a parish fund-raising dinner with a western theme. It was so successful that he built it into the annual St. Anne’s Roundup, a full three days of Western flare on the first weekend of every October, drawing in huge crowds from all over the area.

Father Lacari had a small mock western styled ghost town constructed in the pecan grove behind the church and named it Bellview Junction in honor of the census designated place just outside the Pensacola city limits where the church is located. The buildings housed numerous food and refreshment stands, games, and a photo booth where people could dress in period clothing and have their picture taken. The main activities and entertainment took place out front of Miss Kitty’s Saloon at the end of the main street called Sweatfager Trail. Here was a mockup saloon that acted as a prepping area for bands and other acts that would be featured on the main stage built onto the front porch.

The main stage hosted local and regional bands, comedians, various dance groups, and was used to announce the winners of the various raffles and announce other business. Each year the Roundup hosted a celebrity guest such as John Schneider at the height of his Dukes of Hazzard fame, Heather Locklear in 1983, John Ritter in 1993 and many others who would speak, answer questions, pose for pictures and sign autographs.

One of the corner stone acts were the cancan dancers who were an inextricable part of the Roundup’s entertainment, performing multiple times each day. Immediately following the cancan dancers the street would be cleared with attendees instructed to move to either side and a reenactment gunfight would be performed by specially trained actors. This usually involved a short skit of lawmen versus outlaws resulting in one side emerging victorious over the other in a dramatic shootout complete with realistic looking and sounding guns firing blanks, filling the air with smoke and the scent of gunpowder.

The most enjoyable part of the Roundup for me was the “jail.” This was the station I liked to work in the best. About midway down the Sweatfager Trail was a little jailhouse with a pen made with chicken wire inside of which were several long benches to house the “prisoners”. A sheriff was in charge of organizing the several volunteer deputies. The deputies, usually teenage boys were issued little tin badges and their job was to arrest random people from the crowd on whatever false or factual charges they could imagine. Wearing blue on the street, carrying a corndog with your left hand, or anything could serve as a charge. For a few bucks someone could fill out a warrant and have a specific target, a relative or a friend arrested. In most cases the people played along and went off to the jail in good spirits where for a dollar donation they could post bail, or hangout behind the wire and be a part of the show until being released after several minutes. I worked as a deputy a few different times, and one year my father worked as the sheriff. It served as a fun and lucrative fundraiser for the church.

Perhaps the most remarkable thing about the Roundup was how the whole community seemed to come together to support it. Local food and refreshment providers donated resources and time, businesses made donations of various products for raffles, and prizes for the Roundup Princesses (did I mention there was a yearly princess?). High school marching bands came out to perform. The McGuire’s Pipe Band performed each year. Local businesses would pay top dollar for advertizing either on strategically placed signs or in the Bellview Gazette, the Roundup’s annual news journal. One year Ted Ciano donated a new car to be raffled off. On top of that, it seemed like everyone in the Pensacola area attended. People came in from out of state to attend. It really was a sight that is impossible to describe adequately. This all resulted in St. Anne’s being the most financially successful parish in the Diocese.

Sadly, Father Lacari suffered a heart attack and retired in 1993. He died shortly afterward. His successor was never able to do justice for the Roundup or the church and it began to lose its brilliance until 2004 when Hurricane Ivan swept through, destroying Bellview Junction.

Since that time the church has been unwilling to even attempt to revive or rebuild the Roundup even in a revised form as they struggle financially despite a significant desire from the greater community for it to do so. It is now just another one of Pensacola’s lost legacies.

When I first started writing this article it was intended to be one of the first hints to begin promoting what would be a New Roundup at St. Anne’s beginning in 2019. It was an ambitious dream. I thought we were very close to achieving it, but for reasons outside the scope of this article the project was aborted. I decided to finish the article as a memory rather than as the pre-promotional it was intended to be.

Fidelium animae, per misericordiam Dei, requiescant in pace. Amen.


Media, Movies/TV Shows, Religion & Spirituality

Midsommar, a Poor Rewrite of the Wicker Man

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When I first learned about the movie Midsommar, I was excited to see it, but I was skeptical that it would be another modern rewritten and renamed reproduction of the Wicker Man. I’m not talking about the 2006 abomination starring Nicolas Cage. That was awful. I’m talking about that original 1973 British masterpiece starring Edward Woodward, and Christopher Lee.

Unfortunately, it was just a rewritten Wicker Man, and not good one.

The plot is very simple. An exchange student from Sweden decides to take some of his American college buddies home to take part in the Midsummer festival in Hårga, a reclusive Swedish commune. After a long, drawn out and obvious setup, Hårga is revealed to be a murderous, psychedelic-infused pagan cult as the guests start disappearing one by one, culminating in a grand holocaust at the end. In and of itself, as a Wicker Man rip-off that sounds like it has some promise.

Promise broken.

Midsommar failed on every level. The movie just didn’t make any sense and was full of plot holes and consistency errors, but the worst part was the awful pacing that rolled along like cold molasses. Scene after scene was just long, slow and drawn out, I suppose intended to create suspense, but instead created boredom.

If you could keep conscious through the slowest scenes, then you had to struggle through the lack of a compelling narrative. Once the main cast arrives in Hårga they indulge in eating psilocybin mushrooms, as is the custom of the village, and from then forward the cinematography is filled with psychedelic visuals rather than strong and original plot points. Actually that was the best part because other than visually, Midsommar also failed to deliver any psychedelic sensation thematically or philosophically. It was all just superficial like so much else in Midsommar.


The neo-pagan cult of Hårga was also poorly developed. There was no sense of a convincing philosophy at work that could compel a community to collectively engage in mass murder. The villagers followed a scripture consisting literally of crayon scribbles made by a severely deformed product of inbreeding. There was nothing more than a hack-job of mediocre imagery and costuming that came across as if it was cobbled together by someone who spent all of about thirty minutes researching paganism on the internet. It seems like they just ran with the most superficial aesthetics. In the Wicker Man, the paganism seemed sincere, and living. In Midsommar, it just seemed like post-Woodstock communal hippie LARPing.

The scenes that were clearly intended to be the most bizarre and mind-blowing or frightening more often came off as cheesy. The most noteworthy in this way was the breeding scene which almost came across like a bad comedy routine. Judging by the laughter from other audience members, I was not alone thinking this.

From beginning to end, Midsommar is a hack-job. The little that was good about it was done far better in the Wicker Man forty-six years earlier. All that was rewritten into that plot was poorly developed and thrown together, boring, or unintentionally comical. Not making any sense, especially after a post-viewing deconstruction is not the same as being mind-bending, or psychologically thrilling; it’s just poor writing.

My final ruling is that Midsommar is nothing more than a long, slow, half-baked rip-off of the Wicker Man without any of the charm or cultural depth. It’s not scary, not creepy and not a thriller, psychological or otherwise. And it tried way too hard to be all those things.


Anthropology, Holidays, Irish/Celtic, Religion & Spirituality, Uncategorized

Beltane, Fire of Life

Here we are at the beginning of summer. The earth is waking up and her creatures are becoming active once again. The sun sets later in the evening. Flowers are blooming. Bees are pollinating the crops. Birds are laying their eggs. The mating season is in full swing. Life is abundant. This is the season of Beltane.

Beltane is an ancient festival traditionally celebrated in Ireland, Scotland, and the Isle of Man. This holiday coincides with the Germanic festival of Walpurgis. It is traditionally celebrated on May 1st. Ancient Gaelic tradition, much like Jewish tradition considered the beginning of each new day to be at sunset. Therefore, May 1st on the Celtic calendar really begins at sunset on April 30th of the Gregorian calendar.

The name Beltane is thought to be derived from a Gaelic term meaning the “fire of Belenos,” referring to an obscure Celtic solar deity. This date is a celebration that officially kicks off the active summer season, fully separate from the dormant times of winter. It is the counterpart to and opposite or the season of Samhain.

Flowers and blossoms are especially symbolic of this date as the crops have set to full blossom, some even starting to fruit. For this reason, the Flower Maiden plays a central role in the theme of the season. Coming of age, the Lord in his guise as the youthful Green Man or Stag Lord regaining his antlers has arrived not only to court the Flower Maiden, but to consummate their relationship, in their symbolic roles of pistol and stamen. Here, the young maiden is transformed into a woman through the loss of her virginity.

Sexuality pervades the themes of Beltane. Ancient customs recall celebrations in which lovers met in the fields, the forests, or along the shores for sexual escapades. As the counterpart and opposite to Samhain, bonfires also characterize Beltane and many of these midnight trysts occur at the edges of the firelight. The Maypole was commonly danced at Beltane. Often times a new pole would be erected each year, while the previous year’s pole was burned as part of a bonfire. The new pole would be allowed to stand all throughout the year. In some cases a live tree would be used instead.

Amongst herders, two fires would be built close beside each other. Then they would drive their herds between them as a means of purification, protection and fertility. The people would in some cases themselves also pass between the fires. Jumping over the fires to secure good blessings was also a custom practiced in certain parts of Ireland. These festivities often continued all throughout the night and culminated with the participants observing the sunrise, and bathing or washing with water touched by the first light of the season.

The boar hunt was another traditional activity occurring this time of year, held with great ceremonial significance. Ham and other pork dishes are traditional Beltane feast items. According to Alexie Kondratiev, the mythology associated with this holiday is Maponos (the youthful male) slaying the boar that will later kill him at Samhain. The boar in this case represents the forces of winter and death which are keeping the Flower Maiden (the earth) imprisoned. The young warrior as the solar hero defeats the dominating beast, sometimes a hag or wicked parental figure, freeing the earth maiden, symbolizing the spring. The conquest of the beast frees the earth to be the bride of the sun. In some traditions the hero must conquer the boar to retrieve his tusks, or some other item to use as a weapon to defeat the beast which imprisons the maiden. Here we obsere a common theme regarding the quest for a weapon that deals both death and life. Examples of such stories occur all throughout Celtic literature such as in the Welsh Mabinog, and can be seen especially in the marriage of Blodeuwedd and Lleu.

This is the beginning of the Celtic summer.


Economics, Uncategorized

Money Management, a Guide

 

 

 

 

Having and executing an efficient money management system is vital to attaining financial independence and creating wealth. If you live in a country with laws that encourage financial independence, following the steps below will work to help you create a more efficient money management system and a more abundant life.

Take Responsibility for You Financial Situation
Recognize that you created your current financial situation because of your choices and habits. Unless you are a child, a person literally just freed from bondage or a refugee you must accept that only you had the power to create your current situation and that only you have the power to change it. In the West, it’s only in the rarest of circumstances that this does not apply to a person. Until a person accepts this first step their ship will always be blown by the winds of habit and impulse. You must recognize that you are responsible for yourself.

Save Money
Saving money is the single most important part of creating an efficient money management system. You must spend less than you earn and save the rest. Save one thousand dollars in an emergency fund immediately then shoot to save 3 to 6 months of expenses. Save 10% of your all income you make immediately before spending any of it. If you can’t afford to save 10%, save what you can, even as little as 1% to begin with and aim for 10%. Eventually after following these steps you should try to save as much as 50% of your monthly income. Save all money that comes to you unexpectedly aside from your regular income. This can include bonuses, gifted money, repayment of a loan and other cash that you have lived without.

Create a Budget
Dave Ramsey says “a budget is simply telling your money what to do rather than wondering where it went.” First allocate money for all your immediate necessities. First buy food and necessary clothing. Second pay the essential utilities; water, electricity etc. Next pay the house payment. Then pay off debt. Budget in some money for fun, but don’t go overboard. Since income and expenses can easily fluctuate from pay cycle to pay cycle, write out a new budget at the beginning of every month.

Develop Your Financial Vocabulary
It is amazing just how infrequently this step is ignored, but it is an integral aspect of money management. Many people might say develop you financial education, but “education” is a vague word that doesn’t tell a person where to start. That is why I say “develop you financial vocabulary.” Robert Kiyosaki, the author of the well known Rich Dad series of money making books states;

The difference between a rich person and poor person is that person’s vocabulary. You need to learn words such as producer price index, profits and Cash flow. In order for a person to become richer they need to increase their financial vocabulary.

This step can be started by acquiring a dictionary of financial terms, or doing a web search on the subject. Choose a term or phrase daily or weekly and use it as much as possible. This is a lot like learning a foreign language.

Along with this step you should increase your financial education in general. Read books about business and finance. Watch the business network. Peruse the business magazines at the local grocery store. Don’t waste time during commutes either. Listen to the Dave Ramsey Show or audio books about business and finance. Don’t be frustrated if this stuff is over your head at first. Repetition equals education.


Dump Debt
Swear off debt from this day forward. Get a free credit report at; annualcreditreport.com. Next, as Dave Ramsey recommends list your debts in order from smallest to largest. Attack the first one on your list with intensity until it is paid off. Once the first debt is paid in full, proceed to the next one on your list and attack that one until it is paid. Do this with each increasing debt until the largest is paid off in full.

Increase Income
If your expenses outweigh your income, get a job. Work as many hours as possible. Investigate other financial opportunities. Explore your hobbies and passions to find a side project that could bring in additional income. Before being elected president, Donald Trump said that in the long run a person is likely to make more money by monetizing something he loves than by working in an industry that is already successful.

Use Cash
People tend to appreciate the value of a dollar when they use real dollars to pay for expenses. Debit cards and checks certainly have their uses. However, being handed a receipt that you tend not to scrutinize does not have the same impact as watching the dollars in your wallet dwindle. When it comes between handing a cashier actual dollars for a nonessential expense or holding on to your money for something more practical or important you are less likely to blow you dough on trivialities.

Another great aspect of using cash is that you are more likely to wind up with change. At the end of each day put your change in a change jar. By the end of the month, you can easily wind up with $20 or more in change. At the beginning of each month deposit the past month’s change into your savings along with the 10%-50% of your other income.

Stay Home
A six-pack of beer bought at your local supermarket can cost between 5 and 10 dollars. Six beers bought at the local pub can cost as much as 18 to 30 dollars, plus tips, cover charges, gas or taxi services. That’s quite a difference!

Among his studies with other millionaires throughout the Unites States, Thomas J. Stanley, author of “the Millionaire Next Door” and “The Millionaire Mind,” found that common behaviors of millionaires included entertaining family and friends at home rather than going to extravagant parties. Rather than spending their money on excessive consumables they chose to study or plan investments. While no healthy person would want to stay home all the time, going out less and entertaining at home while following the basic plan presented here can certainly have a positive impact of one’s finances.

Following the plan outlined above will undoubtedly increase your financial status. If you keep doing the same things you’ve always done, you can expect the same results you have always gotten. Step up, execute this plan and watch your wealth increase.


Music, Art, Culture and Modern Critiques