A Creepy Time at Austin’s Museum of the Weird

Something called The Museum of the Weird sounds just like the type of place I should visit.  And during my most recent trip to Austin, Texas that is just what I did.

It’s tucked away in an old building from the 19th century that was reportedly the residence of actor Johnny Depp during the filming of What’s eating Gilbert Grape.   Upon first entrance it’s just like any other curio shop that can be found in a historical part of town, selling creepy stickers, posters and books about a varied assortment of mysteries, and legends.  For twelve bucks you’re handed a receipt which acts as a ticket to get you through a turnstile in the back.

At this point you come to a couple rooms stocked full with a collection of sideshow pieces, from voodoo sculptures, jars containing preserved deformities, and movie props.  After some time spent to ponder the collection, further in the back our guide met us and delivered her brief introduction accompanied with a brief video describing the museums “prized” piece, the Minnesota Iceman, a sideshow exhibit from the 1960s.

The Iceman is the first stop on the guided portion of the tour where the body of something resembling a Neanderthal is kept incased in ice in an old deep freezer.  This was the only portion of the museum where photography was not permitted.  In the spirit of the fun that this museum is meant to be I’ll withhold any critical opinions at this point so the reader can make up their own minds when they visit.

The final leg of the tour is a dimly lit wax museum containing the likenesses of Nosferatu, Dracula, the Hunchback of Notre dame, King Kong and others.

The Museum of the Weird is a fun little stop for tourists and oddity enthusiasts in Austin, Texas.  It’s worth a visit just to see some of the aptly described “weird” displays and exhibitions of art, culture, cinematology, technology, and just plain creepiness.

Watch the video below for a glimpse at Austin’s Museum of the Weird.


Lughnasadh: Harvest of Life

The Irish Celtic Festival of Lughnasadh is traditionally celebrated on August 1st but extends throughout much of the month. It is the first genuine harvest festival of the year and it coincides directly with the Anglo-Saxon holiday of Lammas.



The holiday is named for Lugh, the Irish hero of light. His name derives from the word for lightning and illumination. Amongst Germanic peoples, this day was sacred to the god Thor: the god of thunder, storms and agriculture. Thunder and lightning are obvious signs of rain and storm which are naturally an important ecological phenomenon for agricultural societies.

Lugh is of course more than a simple agricultural deity. As a patron of light, Lugh is the embodiment of all things light represents: intelligence, knowledge, wisdom, enlightenment. Science and artistry are also considered to have been invented by Lugh. Considering his close association with the Roman god Mars, Lugh is a patron of martial prowess, which is perhaps best exemplified through his son Cuchulain. All of these attributes, whether agricultural or innovative attest to Lugh as a god of wealth, the guardian and benefactor of the tribe’s prosperity.  It is probably more than mere coincidence that this time of year in Anglos-Saxon tradition, bondsmen would pay their rent.

This holiday, along with Imbolc, Beltane and Samhain represent the four main festivals of the medieval Irish calendar.  As the first true harvest festival in the seasonal cycle, Lughnasadh has certain associations with death.  In fact, the name itself translates roughly as “the wake of Lugh.”  Whereas holidays in the earlier seasons coincide with increasing life, harvest festivals are the first signs of the summer’s demise.  With the summer day’s becoming noticeably shorter at this time, it becomes quite obvious that winter’s grip is only a short way off.  Although the theme of a wake is a significant part of the festival, the overall atmosphere is generally one of joy and revelry.



The legends tell us that Lugh established the harvest fair of Lugnasadh in honor of his foster-mother Tailtiu at the Town of Teltown in County Meath.  Tailtu’s death was a necessary component in establishing the growing of the crops and the abundant harvest that follows.  These celebrations quite often resembled today’s Scottish Highland Games. Lugnasadh often involved horse races, and martial arts displays or competitions.  Competitive games such as chess were also a part of the festivities, representing Lugh’s victory over the Fomorian King Bres who previously controlled the powers of the Harvest, establishing the Irish agricultural tradition.

Lugh is the hero of Light. For this reason he is often compared with the Sun, since the Sun is the greatest source of light with which humans and earthly crops interact. As a hero of Light, Lugh is also called Samh-ildánach, “the many gifted one,” because of his multiple skills in all the arts and trades.  Just as darkness represents ignorance, Light represents knowledge, and in this case knowledge of many, if not all things. In the old legends we find that Lugh (representing the Sun) conquers the Fomorians (representing darkness, ignorance and oppression). When this is done, Lugh wrestles from the King of primitive darkness the knowledge of cultivation and the harvest.

This is a celebration of the Harvest.  On this day families gather together to give thanks for the bounty of the Harvest and to reenact the mythological event that brought the Ancestors from a life of oppression and into a life of abundance with the knowledge of agriculture. It must be remembered that it is only with this knowledge that humankind has managed to not only survive, but to thrive in even inhospitable environments. It is agriculture that has allowed human beings to settle lands, build defensive structures and over all make life safer for acquiring food. This has allowed civilization to flourish and become specialized, developing art, literature, economics, and other remarkable aspects of material culture.